An exploration of non-colour by seven recent graduates of Sydney’s National Art School: Kirsten Drewes, Jan Handel, Emma Kirby, Michelle Le Dain, Melinda Marshman, Elizabeth Rankin and Helen Redmond.

White is the achromatic, the colour without a hue. It is the light produced by the streaming of the spectrum of colours – the nothing produced by the all.

Emma Peters references the tradition of patch-worked heirloom quilts and wagga’s to present a collection of experimental textiles that examines memory as a driving conceptual force. The Mnemonic Textiles exhibition presents work that captures memory and sustains life-long attachment.

Country holds layers of memory – we memorialise our chosen countries using their indigenous dyes and patterns on cloth to reconnect and raise awareness of the history beneath. In remembering we also uncover earlier selves and collective memories from our ancestoral histories.

Photographs by Catherine Rogers: threatened and altered landscapes of the Tarkine.

Artists explore personal desires to have and to hold, sinful yearnings, urges to consume and possess through sensual and multi-disciplinary practices.

Light passes through. It has a presence and an absence, extends beyond the visible and is felt. It is transformative: changing what we feel, see and experience. It is how we survive and grow.

Red and Yellow is the colour theme of Barometer's annual end of year show featuring selected artists and craftspeople.

Five artists present their own interpretations of deconstruction. Working with traditional textile techniques, in some cases applying them to unconventional materials, they have questioned and extended ...

Resist dyed textiles by Barbara Rogers

‘The Nature Table’ by Katrina Simon is an exhibition that brings together works on paper, photography, found objects and transformed objects that all engage with the forms and dynamics of depicting the natural world ...