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BEGIN:VEVENT
DTSTART;VALUE=DATE:20120128
DTEND;VALUE=DATE:20120306
DTSTAMP:20241111T024118Z
CREATED:20161104T013525Z
LAST-MODIFIED:20241111T024118Z
UID:1232-1327748400-1330945199@barometer.net.au
SUMMARY:Centre\, South\, North
DESCRIPTION:Catherine Rogers shows new large landscape photographs from the Kimberleys and the King Leopold Ranges taken in the winter of 2011. These panoramic images feature spectacular skies. \nAll photographs are processed and printed by the artist as pigment prints on cotton rag paper in limited editions of 5 prints.
URL:https://barometer.net.au/exhibitions/centre-south-north/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Annies-creek.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111203
DTEND;VALUE=DATE:20120124
DTSTAMP:20241111T024118Z
CREATED:20161104T012715Z
LAST-MODIFIED:20241111T024118Z
UID:1225-1322910000-1327316399@barometer.net.au
SUMMARY:Outer the Blue
DESCRIPTION:Julie Ryder\, Barbara Rogers and Catherine Rogers show works in blue for the Barometer Gallery annual Xmas exhibition. \nScreen printed fabric lengths\, cushions\, handkerchiefs and aprons in cotton and tea towels in pure linen by Julie Ryder. \nShibori dyed scarves in silks and cushions in cotton velvet by Barbara Rogers. \nPhotographs and artworks by Catherine Rogers are pigment prints on cotton rag paper. \nAll work is hand made by the artists.
URL:https://barometer.net.au/exhibitions/outer-the-blue/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/JRyder-Babadua-020.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111115
DTEND;VALUE=DATE:20111122
DTSTAMP:20241111T024118Z
CREATED:20161104T011843Z
LAST-MODIFIED:20241111T024118Z
UID:1218-1321354800-1321873199@barometer.net.au
SUMMARY:Souvenirs of etcetera: photographs
DESCRIPTION:Opening night: Tuesday 15 November\, 5 – 7pm\nOpen: Wednesday – Saturday 12 – 6pm\nExhibition Event: Q&A with author\, Sibella Court & photographer\, Chris Court/ Saturday 19 November\, 2 – 4pm \nSibella Court’s first book Etcetera etc: creating beautiful interiors with the things you love won Best Designed Book of the Year 2010. Now\, with her award-winning photographer brother\, Chris Court\, she has created an installation at Barometer Gallery so that you can explore within the life-size pages of Etcetera. \nSibella is an interior stylist\, product designer\, shop owner (The Society inc.)\, globetrotter\, feature writer and author of Etcetera\, The Stylist’s Guide to NYC and Nomad: Bringing your travels home. Chris is internationally sought after & has photographed for Donna Hay\, Vogue Living\, Harpers Bazaar\, Martha Stewart and Living Etc. as well as photographing Etcetera & Nomad with Sibella. \nThe gallery allows you to touch\, see\, marvel & enjoy\, as if you are within the photographs\, discovering them in a space that you exist in\, rather than the book that you hold within your hands. \nYou will be able to feel & experience all the special textured papers that make up Etcetera. Choose and purchase your favourite photographs based on content\, scale & paper textures. \nContact:\nHannah@thesocietyinc.com.au\nLeah@thesocietyinc.com.au \nwww.thesocietyinc.com.au
URL:https://barometer.net.au/exhibitions/souvenirs-of-etcetera-photographs/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Foundation_003.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111102
DTEND;VALUE=DATE:20111115
DTSTAMP:20241111T024118Z
CREATED:20161104T010853Z
LAST-MODIFIED:20241111T024118Z
UID:1211-1320231600-1321268399@barometer.net.au
SUMMARY:Sugar & Spice and all Things Nice
DESCRIPTION:‘Sugar & Spice and all Things Nice’- is what little girls are made of. Isn’t it? \nPia Larsen presents three works that address notions of ‘liberation’\, ageing and self-determination for women today. \n‘Girls on Sticks with Spots’ addresses a number of discourses surrounding the sexualised body including Raunch culture which some claim liberates women as sexual beings as they slide up and down poles scantily dressed. \n‘Top Hits’ is a freeze-framed game which involves tennis racquets\, latex breast casts some filled with tennis balls some empty\, as a metaphor for the time and energy women invest in maintaining an ‘ideal’ body. \nIn the image ‘After Louise’ I carry a polished giant zinc breast shield wearing only floppy ‘playboy bunny’ ears around my neck as a nod to Robert Mapplethorpe’s image of Louise Bourgeois and the playboy bunnies of the 1970’s which I grew up with as symbols of objectified women. \nOpening hours\n11am – 5pm Saturday 5th & 12th November\n11am – 4pm Sunday 6th & 13th November \nThe gallery is unattended during the week but the work is installed within the space to be viewed from the street outside. 
URL:https://barometer.net.au/exhibitions/sugar-spice-and-all-things-nice/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Breastpile.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111015
DTEND;VALUE=DATE:20111101
DTSTAMP:20241111T024118Z
CREATED:20161104T005606Z
LAST-MODIFIED:20241111T024118Z
UID:1200-1318676400-1320058799@barometer.net.au
SUMMARY:Out of the Box
DESCRIPTION:The World Shibori Network Australia and New Zealand is a group of textile artists working in shibori or shaped resist dyeing. \nHere is a selection of works produced for their latest exhibition ‘Out of the Box – Shibori Forces Downunder’. \nInspiration for their works is often taken from nature\, with the artists producing exquisite shapes formed by shibori techniques.
URL:https://barometer.net.au/exhibitions/out-of-the-box/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/01-the-Emergence-of-Cloth.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20110928
DTEND;VALUE=DATE:20111011
DTSTAMP:20241111T024118Z
CREATED:20161104T004101Z
LAST-MODIFIED:20241111T024118Z
UID:1191-1317204000-1318244399@barometer.net.au
SUMMARY:Companion Planting
DESCRIPTION:Me\, Here\, and You\, There\,\n\nCompanion Planting is a mixed-media exhibition inspired by a 2009 Hill End residency in Murray’s Cottage\, the former home of Donald Friend and Donald Murray. The complex relationship between the gregarious well-known artist\, (Friend) and the reclusive\, introverted gardener (Murray) is explored through watercolours\, textiles and objects that are sourced directly from the cottage garden. \nDuring my residency in Murray’s cottage I became absorbed by two things in particular – the diaries written by Donald Friend\, and the cottage garden and orchard they established when they moved to Hill End in 1947. The Friend Diaries (written from when he was a boy until his death in 1989) chronicled his life\, his loves\, his adventures and his opinions on other artists\, people\, places and events.  His words are witty\, succinct\, bitchy and barbed in places.  I became intrigued with the development of his relationships with others over the years – decades even – in particular his relationship with Donald Murray.  Friend took particular interest in the garden that Murray established at the cottage\, and his Diaries are filled with accounts of what they planted\, the seasonal variations\, and the joy that comes from growing and tending a garden. \nThe idea for Companion Planting came through the reading of the Diaries and looking after the cottage garden each day for the month that I was in residence. It became a way of entering into the lives of these two men and gaining insight into their respective personalities.  The textile pieces in the exhibition are all dyed with plants from Murray’s garden\, and the organic materials used in the works on paper and small objects are also derived from there. \nWith this body of work\, I have attempted to expand on the idea of ‘companion planting’ – where certain plants are grown together to enhance each others performance – to examine the dynamics of human relationships; the struggle for identity and recognition that can occur between couples; the compromises required when one’s desires and dreams do not come into fruition\, and the bitterness that can fester under the surface as a result. This not only applies to the Murray/Friend relationship  (and those of other artists who worked in Hill End) but also encompasses the hopes\, aspirations\, and eventual disappointment of the hundreds of miners and their families who came to Hill End in the 1800’s in search of gold. I use the wishbone and rose thorns as symbols for these hopes and fears\, to caution that we must be careful of what we wish for. \nJulie Ryder \nImage 1;\nTitle: Me\, Here\, and You\, There\,\nYear: 2011\nMedium: Wood\, rose petals\, thorns\, hemp\, silk threads dyed with plants from Murray’s cottage\nPhoto Credit: Rob Little\n\nImage 2;\nTitle: All my days follow all your nights – all your yesterdays are all my tomorrows\, (DETAIL)\nYear: 2011\nMedium: Textiles and threads dyed with plants from Murray’s Cottage\nPhoto Credit: Rob Little \nImage 3 and 4\nTitle: Hill End Conversations 2  and also DETAIL\nYear: 2010\nMedium: Rose thorns on paper\, archival glue\nPhoto Credit: Mark Kelly Images \nImage 5\nTitle: Wishbone\nYear: 2010\nMedium: Watercolour on paper\nPhoto Credit: Mark Kelly Images
URL:https://barometer.net.au/exhibitions/companion-planting/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Me-Here-You-There.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20110908
DTEND;VALUE=DATE:20110927
DTSTAMP:20241111T024118Z
CREATED:20161104T002150Z
LAST-MODIFIED:20241111T024118Z
UID:1184-1315476000-1317031199@barometer.net.au
SUMMARY:New Landscapes: the Warburton River - Lake Eyre\, 2011
DESCRIPTION:Catherine Rogers is a Sydney based artist whose photographic practice is based around the landscape – particularly the Australian landscape. This new work shows some preliminary images from a recent trip to Lake Eyre (and beyond) this winter. The larger project includes images and drawings from the Kimberlies\, and from over 8\,000kms of travel by road\, to and from the far north. \nThese new landscapes include images taken from a boat on the Warburton River\, aerial views of the rivers (Warburton\, Kallakoopah) flowing into the north-east corner of Lake Eyre and images taken while on foot in the area of Kalamurina Station (an Australian Wildlife Conservancy property\, see www.australianwildlife.org) which is located on the north-east corner of Lake Eyre\, in the north-east of South Australia. The last two years\, 2010-2011\, have seen a great deal of rain fall in the Lake Eyre area\, as well as across the outback of Australia. As a result the lakes and rivers of South Australia’s dry\, flat centre are teeming with birds\, wildlife and vegetation. It’s an extraordinary place to be. \nAll prints are hand-made – that is\, each image is worked on from camera to final print and also printed – by Catherine Rogers.  Pigment ink on Innova smooth cotton paper\, dimensions variable.  Limited edition sets available (editions of 5). \nFor further information\, please contact the artist at crogers@catherinerogers.com.au or view www.catherinerogers.com.au
URL:https://barometer.net.au/exhibitions/new-landscapes-the-warburton-river-lake-eyre-2011/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Warburton-River-to-Lake-Eyre-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20110824
DTEND;VALUE=DATE:20110907
DTSTAMP:20241111T024118Z
CREATED:20161103T235840Z
LAST-MODIFIED:20241111T024118Z
UID:1176-1314180000-1315303199@barometer.net.au
SUMMARY:Oxford Street Profile (OSP)
DESCRIPTION:Oxford Street Profile (OSP) is a visual narrative of a Sydney street by photographer Philip Quirk. \n \n \nHow do we relate to the streets we are most familiar with? I believe people use the street for their specific needs\, whether it is for business\, pleasure\, shopping or traversing the suburbs. They become familiar with the street and presume it will remain the same\, but change is inevitable and ongoing. OSP argues that the more we use our streets\, the less we see them as they are. \nIn 2009 I set out to photograph every building on both sides of Oxford Street from Queen Street\, Woollahra to Taylor Square\, Darlinghurst. The purpose of this documentation is to observe Oxford Street from street level\, to note the transient human interaction on the street\, and to record the street as it is in the early years of the 21st century. \n \n \nOSP is about a Sydney street today\, which will be relevant to future generations considering the built environment and the evolving nature of streets like Oxford Street. OSP links the fundamental structures of the street\, defining their spatial relationships in a typology and is a functional example of a place in time. \nPhilip Quirk is completing a Masters by Research degree at COFA UNSW. He is the author of four books including Wildlight-Images of Australia and Farm-Life on the Land\, Reed Books. Public Gallery Collections include: Australian National Gallery Canberra\, Art Gallery of NSW\, Parliament House Gallery Canberra\, National Library of Australia Canberra\, South Australian Art Gallery\, Queensland Art Gallery\, Tasmania Museum and Art Gallery\, Albury Regional Art Gallery\, Artbank\, Horsham Regional Art Gallery and Monash Gallery of Art Melbourne.
URL:https://barometer.net.au/exhibitions/oxford-street-profile-osp/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/1-Book-OSP-Barometer-Web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20110816
DTEND;VALUE=DATE:20110823
DTSTAMP:20241111T024118Z
CREATED:20161103T174150Z
LAST-MODIFIED:20241111T024118Z
UID:1169-1313488800-1314007199@barometer.net.au
SUMMARY:The William John Woodhouse Rephotography Project
DESCRIPTION:The William John Woodhouse Rephotography Project  (WJWRP) is the product of four years of research undertaken for the degree of Doctor of Philosophy in Visual Arts through Sydney College of the Arts\, The University of Sydney. This project was made possible through a collaboration with The Nicholson Museum\, University of Sydney\, whose collection  the William John Woodhouse Photographic archive is held. The WJWRP used the process of rephotography to revisit over 145 sites originally photographed by William John Woodhouse in Greece from c.1889-1936.  The exhibition presents a series of large digital prints and seven folios of photographs taken by Rowan Conroy in mainland Greece from December  2009 – September 2010. The new photographs by Conroy and the old by Woodhouse\, are displayed side by side\, inviting the viewer to compare the changes and or continuity of the objects and buildings in the landscape. \nRowan Conroy (b. 1982 Coffs Harbour) is a Sydney based artist whose practice focuses on the use of photography and large format digital printing to present visions of the contemporary landscape and its detritus. Conroy’s photographs document the archaeology of the present\, the collision of the deep past with the recent past. This has been explored through projects such as Puratha: the sad place  (Sydney College of the Arts\, 2007; Coffs Harbour Regional Gallery\, 2008) which surveyed the landscape of the Burrup Peninsular and the threatened rock art of the region. Similarly Lebanon: Photography\, Antiquity and Ruin (Nicholson Museum\, 2006) collected visions of modern lebanon and its antique past.   Conroy’s work is in the collections of the Australia Council for the Arts\, The University of Wollongong Permanent Collection\, Delmar Gallery Trinity Grammar School\, and numerous private collections. \nSee: www.rowanconroy.com
URL:https://barometer.net.au/exhibitions/the-william-john-woodhouse-rephotography-project/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/RMC2010.55.7.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20110730
DTEND;VALUE=DATE:20110816
DTSTAMP:20241111T024118Z
CREATED:20161103T173318Z
LAST-MODIFIED:20241111T024118Z
UID:1163-1312020000-1313402399@barometer.net.au
SUMMARY:Nets
DESCRIPTION:‘NETS’ \nAn exhibition of works by Australian artists responding to the theme of nets. \nThe exhibits show the Australian component of ‘NETS’ – a global project across the textile departments of three universities: University of Cumbria (UK)\, Novia University of Applied Sciences (Finland)\, Australia National University\, Canberra (Australia).  The project aims to develop contemporary textiles practise and build connections between textile communities and departments within higher education. It explores new collaborative forms of education\, mentoring\, training and mutual support through textile practice. The theme came about through networking between the universities and it allows students and artists to explore nets\, netting\, networks and netted objects and associations in the widest\, freest\, individual interpretations. \nTextile based production\, the mother of both technology and modern design\, is one of the oldest industries in the world\, but also one of the most adventurous and forward thinking. The textile industry has always provided a platform for blending tradition with new technology\, developing new materials\, ways of working and forms.\n‘NETS’ is a joint global venture which aims to explore current issues through textile practice and to raise the profile of textiles education internationally. ‘NETS’ focuses on creativity\, imagination and collaboration. By nurturing a functioning network between different textile communities and institutions\, we can celebrate the diversity of artistic power\, dynamics and optimism of textile practice. \nThe ultimate aim of ‘NETS’ is to promote and develop textile artists and education and to equip artists and graduates with up-to-date skills to meet challenges\, network internationally and seize new career opportunities. To achieve this goal\, workshops were organised with artists from the community and students to work on the theme\, learn techniques and explore ideas.
URL:https://barometer.net.au/exhibitions/nets/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Barbara-Jackson-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20110615
DTEND;VALUE=DATE:20110726
DTSTAMP:20241111T024118Z
CREATED:20161103T172721Z
LAST-MODIFIED:20241111T024118Z
UID:1155-1308132000-1311587999@barometer.net.au
SUMMARY:Threads of Life
DESCRIPTION:Electron and Scanning Electron Microscopy have informed Julie Ryder’s latest body of work. \nI have used images of my scanned fabrics and microorganisms to form new designs and motifs for my textiles. SEM images are produced in black and white\, so any colour is introduced and enhanced by computer software programs. I have investigated the use of the digital colour palette in this latest body of work\, and have interpreted it through hand-printing with reactive dyes onto cotton fabrics. \nThe technique I have used is called ‘chemical resist’\, whereby the properties of one class of reactive dye inhibit the application of another.  This enables you to get multi-colour designs onto the fabrics with dyes\, without using silkscreen separations. \nIn “Threads of Life” the textile lengths represent my interpretations of the transference of genetic information from one life form to another. This is the ‘unseen’ material that keeps our society alive – both the human world and the microscopic one.
URL:https://barometer.net.au/exhibitions/threads-of-life/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Julie-Ryder.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20110504
DTEND;VALUE=DATE:20110609
DTSTAMP:20241111T024118Z
CREATED:20161103T172147Z
LAST-MODIFIED:20241111T024118Z
UID:1149-1304503200-1307527199@barometer.net.au
SUMMARY:October (1953)
DESCRIPTION:Opening Saturday 7th May from 3pm – 6pm \nOctober (1953) is an exhibition of new work from photographers Paul Ogier and Catherine Rogers. The images are an investigation of a landscape used during the atomic weapons testing in Australia\, in particular\, the 1953 series of tests at the Emu Field atomic test site in South Australia. Rather than just document this desert environment\, this new work speaks to the experience of being in it\, the effect this has on the photographer and the work made. \nPaul Ogier is a Melbourne based artist who is currently researching a new series of Australian atomic landscape photographs. This new series\, 10 Miles\, is an ongoing series of landscape photographs exploring the visual history of atomic bomb testing in Australia and questions what this previous framing of the Australian landscape can contribute to subsequent interpretations of landscape photography in this country. Paul is currently showing images from this series at the Art Gallery of New South Wales in Photography and place: Australian landscape photography 1970s until now. He is represented in the collections of the Art Gallery of New South Wales\, Parliament House\, the Gold Coast City Gallery\, Transfield and Artbank. \nCatherine Rogers is a photographer and artist who works primarily in and across the Australian landscape – including the coast and oceans surrounding Australia\, to the cities\, urban and rural areas\, the ancient forests in Tasmania\, to the desert and remote outback places. She works in both colour and black and white\, with film mostly\, and makes her own fine prints – enjoying the pleasures of the work processes involved with crafting an image on paper from the beginning to its end. Catherine Rogers work is represented in private and corporate collections nationally and internationally\, and in public collections including Parliament House\, National Library of Australia\, Museum of Sydney\, Universities of Western Sydney and Wollongong\, Art Gallery of NSW\, Artbank. \n \nPart of HeadOn photo festival www.headon.com.au
URL:https://barometer.net.au/exhibitions/october-1953/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/OGIER_Charlie-South-Australia-2010.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20110402
DTEND;VALUE=DATE:20110503
DTSTAMP:20241111T024118Z
CREATED:20161103T165128Z
LAST-MODIFIED:20241111T024118Z
UID:1144-1301742000-1304330399@barometer.net.au
SUMMARY:Take a Line
DESCRIPTION:Stripes are the simplest of all patterns\, a series of parallel lines going in one direction\, a rhythmic surface that indicates movement. Stripes are one of the most widely used and enduring patterns. \nWorks by Barbara Rogers
URL:https://barometer.net.au/exhibitions/take-a-line/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/stripes-scarves-085.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20110315
DTEND;VALUE=DATE:20110402
DTSTAMP:20241111T024118Z
CREATED:20161103T164330Z
LAST-MODIFIED:20241111T024118Z
UID:1141-1300186800-1301655599@barometer.net.au
SUMMARY:Video Garden Artefacts (VGA) 1997/2011
DESCRIPTION:Video Garden Artefacts are a series of still video investigations that are a prelude to later work seeking to position gardens as thinking enclosures. They play in between the meaning of each other and the analogue mechanism that connects them. Set in colour\, they present an earlier play between the individual\, camera and landscape. \nNew work by Paul Ogier \nwww.paulogier.com
URL:https://barometer.net.au/exhibitions/video-garden-artefacts-vga-19972011/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/VGA.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20110127
DTEND;VALUE=DATE:20110313
DTSTAMP:20241111T024118Z
CREATED:20161103T162748Z
LAST-MODIFIED:20241111T024118Z
UID:1137-1296126000-1299927599@barometer.net.au
SUMMARY:Shibori in Fashion
DESCRIPTION:SHIBORI\, the ancient resist dye technique\, continues to inspire in the 21st century\, fusing yesterday’s techniques with today’s limitless opportunities to produce original designs. \nTextiles by Barbara Rogers. Also featuring jewellery by Margaret West and Valerie Odewahn
URL:https://barometer.net.au/exhibitions/shibori-in-fashion/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Rhythm-2010.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20101201
DTEND;VALUE=DATE:20110125
DTSTAMP:20241111T024118Z
CREATED:20161103T161856Z
LAST-MODIFIED:20241111T024118Z
UID:1130-1291201200-1295866799@barometer.net.au
SUMMARY:On Our Selection
DESCRIPTION:Featuring works on paper\, cloth and metal by Valerie Odewahn\, Paul Ogier\, Barbara Rogers\, Catherine Rogers\, Julie Ryder and Margaret West.
URL:https://barometer.net.au/exhibitions/on-our-selection/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Another-Chameleon-brooch.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20101103
DTEND;VALUE=DATE:20101130
DTSTAMP:20241111T024118Z
CREATED:20161103T160739Z
LAST-MODIFIED:20241111T024118Z
UID:1127-1288782000-1291028399@barometer.net.au
SUMMARY:Photographs
DESCRIPTION:Unique pigment prints on Archives watercolour paper by Catherine Rogers (1050mm x 665mm)
URL:https://barometer.net.au/exhibitions/photographs/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Hill-End-_Blue-2-11-2010.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20101026
DTEND;VALUE=DATE:20101102
DTSTAMP:20241111T024118Z
CREATED:20161103T151731Z
LAST-MODIFIED:20241111T024118Z
UID:1119-1288090800-1288609199@barometer.net.au
SUMMARY:Fragment Squared
DESCRIPTION:Fragment Squared: contemporary textile design from RMIT University.\n12 emerging designers showcase innovative collections of print\, weave\,\nand knit\, from the digital to the exquisitely hand crafted. \nThe works in this exhibition reflect fragments of the textile process\nwith every designer offering a unique vision of the place of textiles in\nmodern living. Pieces in this collaborative exhibition include hand\nmade\, bespoke home wares\, jewellery and accessories. \nOpening: \nTuesday 26th October 6 – 9pm \nGallery Times: \n27th\, 28th\, 29th\, 30th October 11am – 6pm\n31st October 11am – 3pm
URL:https://barometer.net.au/exhibitions/fragment-squared/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Fragment-squared-logo.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20101005
DTEND;VALUE=DATE:20101026
DTSTAMP:20241111T024118Z
CREATED:20161103T150533Z
LAST-MODIFIED:20241111T024118Z
UID:1111-1286276400-1288004399@barometer.net.au
SUMMARY:In My Nature
DESCRIPTION:Pleasure and wonder are at the core of Brook Morgan’s work and process. This work resonates the beauty found within tactile and somatic inquiry of natural and found materials that are collected\, sorted and arranged into gradated colour and archetypal shapes and often meticulously woven configurations. Casurina needles become line drawings and grasses are sorted and woven into quiet landscapes of subdued browns\, yellows and greens. This work is made in the vein of an intuitive methodology and inquires into the ways we define and look within the nature of creative research. Intuition admits a type of ‘knowing’ that is fostered through sensorial and visceral connectivity. These works through their treatment\, care and consideration permit a sense of sacred or embodied meaning within the objects. \nOpening Tuesday 19 October 6 – 8pm \n5 – 14 October – by appointment \n0415 902 226 or click here to email Brook
URL:https://barometer.net.au/exhibitions/in-my-nature/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Brook-Morgan-Figure2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20100908
DTEND;VALUE=DATE:20101005
DTSTAMP:20241111T024118Z
CREATED:20161103T145918Z
LAST-MODIFIED:20241111T024118Z
UID:1104-1283940000-1286189999@barometer.net.au
SUMMARY:Scarf
DESCRIPTION:An exhibition of contemporary shaped resist dyed scarves and shawls \nThese are works of members of the World Shibori Network Australia and New Zealand (WSN A/NZ) \nOpening – Sunday 12 September at 4.00 pm by Yoshiko Wada\, President of the World Shibori Network
URL:https://barometer.net.au/exhibitions/scarf/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/20100802_0579-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20100728
DTEND;VALUE=DATE:20100907
DTSTAMP:20241111T024118Z
CREATED:20161103T144627Z
LAST-MODIFIED:20241111T024118Z
UID:1097-1280311200-1283767199@barometer.net.au
SUMMARY:Changing Spaces
DESCRIPTION:To celebrate Sydney Design and Fashion Festival\, Barometer presents
’Changing Spaces’\, featuring textiles by Marli Popple\, Barbara Rogers and 
Julie Ryder.  This exhibition showcases fabrics for interiors and fashion
 that will change and evolve throughout the month.
URL:https://barometer.net.au/exhibitions/changing-spaces/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Lifeline-JPEG-detail.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20100703
DTEND;VALUE=DATE:20100725
DTSTAMP:20241111T024118Z
CREATED:20161103T144151Z
LAST-MODIFIED:20241111T024118Z
UID:1090-1278151200-1279965599@barometer.net.au
SUMMARY:autonomy clinic
DESCRIPTION:Aedan Madden\nAutonomy Clinic \nOpening Sunday 3-5 pm\nOpen Sunday\, artist in residence Tuesday- Saturday 11-6pm \nWhat remains after dissecting oneself? Teenage artist Aedan Madden has created a room of white sculptures\, made from various media such as fabric\, plaster\, wire and wax\, to form his autonomy clinic. \nThe works reflect on his current state\, the transition from child to adult\, the process of defining who you are and what no longer is. Displaying the subconscious decisions we make to extend and improve ourselves\, to cast new parts and to cast away others. \nThe absence of colour in his work constructs a foreign atmosphere\, a distraction from what is constantly changing\, as well as providing a clinical environment\, a place where one can search for their autonomy. \nAutonomy Clinic ultimately comments on the process of change every individual has to go through\, depicting it in an imposing\, immense\, yet beautiful way.
URL:https://barometer.net.au/exhibitions/autonomy-clinic/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20100610
DTEND;VALUE=DATE:20100702
DTSTAMP:20241111T024118Z
CREATED:20161103T143531Z
LAST-MODIFIED:20241111T024118Z
UID:1083-1276164000-1277978399@barometer.net.au
SUMMARY:Earth
DESCRIPTION:by Jane Burton Taylor \nColour photographs taken from a moving car explore the relationship between simultaneous stillness and movement. Photographed in the mountains that form the spine of Sicily\, Italy\, a region rich in human and mythic history\, the images capture both a sense of movement and gentle meditation on the landscape. The works are metaphors for living a life balancing steadiness and change\, the eternal and the ephemeral. \nIt is named Earth\, because the earth is constantly spinning\, though we don’t\, as indivuals\, see or feel this as a direct experience. Yet it is a phenomenon that occurs in the grander scheme of the natural world\, one which actually allows us to exist and prosper. \nThe photographs were taken on a 50 year old Hasselblad and are C type analogue prints in limited editions.
URL:https://barometer.net.au/exhibitions/earth/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/jane1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20100512
DTEND;VALUE=DATE:20100608
DTSTAMP:20241111T024118Z
CREATED:20100503T152620Z
LAST-MODIFIED:20241111T024118Z
UID:1080-1273658400-1275904799@barometer.net.au
SUMMARY:SHIBORI: yesterday & today
DESCRIPTION:Shibori\, the ancient shaped\, resist dye technique\, continues to inspire in the 21st century\, fusing yesterday’s techniques with today’s limitless opportunities to produce original designs. \nWork by Barbara Rogers
URL:https://barometer.net.au/exhibitions/shibori-yesterday-today/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Shibori-yesterday_today.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20100415
DTEND;VALUE=DATE:20100511
DTSTAMP:20241111T024118Z
CREATED:20100410T025340Z
LAST-MODIFIED:20241111T024118Z
UID:1071-1271325600-1273485599@barometer.net.au
SUMMARY:Stepping Back in the Studio
DESCRIPTION:Sharon Peoples is a machine embroiderer with over 20 year experience. She is well known for her explorations on the theme of red shoes. Her first travelling solo exhibition was 100 Red Shoes\, beginning at Object Galleries in Sydney and travelled throughout regional NSW. Peoples has exhibited nationally and internationally with work in public and private collections throughout Australia. \nThe genesis of this theme stems from a gift of hand made red leather slippers.  An embroidered image was made for a postcard. As these postcards were sent to colleagues\, friends and family\, red shoes began to arrive on her studio doorstep. She has over 20 pairs of red shoes stored in her studio\, let alone those in her own personal wardrobe. \nAlthough her work has diversified from this theme in recent years\, the red shoes are often used as a starting point for developing new technical processes.  Machine embroidered lace is one technique that she has begun to work with.
URL:https://barometer.net.au/exhibitions/stepping-back-in-the-studio/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/10/IMG_1647.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20100304
DTEND;VALUE=DATE:20100413
DTSTAMP:20241111T024119Z
CREATED:20100301T014251Z
LAST-MODIFIED:20241111T024119Z
UID:1062-1267700400-1271066399@barometer.net.au
SUMMARY:Scenes from still life - the culture of the table
DESCRIPTION:The photographic images in this exhibition were inspired by sixteenth
 and seventeenth-century Dutch (and Spanish) still life paintings.
 Seemingly ordinary paintings of fruit\, vegetables and ‘breakfast’ meals
 depicted in\, often\, quite extraordinary and surreal settings. \nThese photographs involve no camera or film\, but were made using real
 fruit and vegetables as well as cutlery\, crockery and kitchen implements. \nThe blue photographs are cyanotypes on watercolour paper. That is\, the
 photographic image has been created by a light sensitive\, iron based
 mixture which is ‘painted’ onto paper\, dried and exposed to sunlight.
 These photographic images are photograms. The image created is from the
 underside of the objects placed on the light-sensitive paper. Many of
 these images have been coated and exposed more than once to build up a
 dense\, layered image. \nCatherine Rogers
URL:https://barometer.net.au/exhibitions/scenes-from-still-life-the-culture-of-the-table/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/10/Bread-and-cups-Still-Life.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20100121
DTEND;VALUE=DATE:20100302
DTSTAMP:20241111T024119Z
CREATED:20100115T013839Z
LAST-MODIFIED:20241111T024119Z
UID:1020-1264071600-1267441199@barometer.net.au
SUMMARY:Transgenesis
DESCRIPTION:‘transgenesis’ is a solo exhibition of digitally printed textiles and crafted objects by Julie Ryder that explores her continuing interest and investigation into the links between art and science. Following on from her 2005 ANAT Synapse Artist in Residence at the Australian National Botanic Gardens\, Ryder has turned her attention from the mysteries of the plant underworld to explore our fears surrounding genetic modification and engineering. \nRyder focuses on the controversial debates about genetically modified organisms\, in particular the plants and products that are finding their way into our supermarkets\, and investigates the socio-political and economic forces behind them. Our fears about the genetic manipulation of nature and the reverberating consequences it will impose on all levels of life as we know it\, are highlighted through Ryder’s digital creations.  By fusing highly magnified images of grains and pollen created by scanning electron microscopy together with those from other species\, Ryder creates her own cloned species that seem fantastic but could in fact be futuristic phylogenies. \nRyder investigates issues concerning labelling\, biodiversity and the commodification of genetic information through the mixed-media installation ‘transgenesis’ to promote awareness and debate on this highly emotive issue. \nThis exhibition was first shown at Craft Victoria in 2007. \nFor further information on Julie Ryder\, please Click here. \nClosing party and floor talk on Saturday 27th February at 3pm
URL:https://barometer.net.au/exhibitions/transgenesis/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/10/transgenesis3-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20091203
DTEND;VALUE=DATE:20100119
DTSTAMP:20241111T024119Z
CREATED:20091201T013254Z
LAST-MODIFIED:20241111T024119Z
UID:1012-1259838000-1263812399@barometer.net.au
SUMMARY:No Limits
DESCRIPTION:NO LIMITS: Shibori in Fashion \nSHIBORI\, the ancient shaped\, resist dye technique\, continues to inspire in the 21st century\, fusing yesterday’s techniques with today’s limitless opportunities to produce original designs. \nWORKS by BARBARA ROGERS\nFOR APPOINTMENT  PHONE 9358 4968\nOr contact look@barometer.net.au
URL:https://barometer.net.au/exhibitions/no-limits/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/10/New-work-09-020.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20091105
DTEND;VALUE=DATE:20091130
DTSTAMP:20241111T024119Z
CREATED:20091101T012803Z
LAST-MODIFIED:20241111T024119Z
UID:1005-1257418800-1259492399@barometer.net.au
SUMMARY:Wanderer in the Wilderness
DESCRIPTION:Wanderer in the Wilderness\nquilts by Dianne Finnegan\nNovember 5th – 28th 2009\ngallery open Thursday to Saturday\, 12pm – 6pm or by appointment\np: 02 9957 2401\nm: 042 037 2401 \nDianne Finnegan’s quilts are autobiographical. She attended Wilderness School and lived in Canada for a couple of years and these facts influenced her choice of a title for her current exhibition\, Wanderer in the Wilderness\, which is the Canadian name for a quilt design more commonly known as Drunkard’s Path. \nShe has recently been using the textiles she has gathered from around the world over many years to create quilts that would work equally on the wall as on the bed. A wander through the exhibition would take the viewer past Japanese shibori dyed and stencilled indigos\, Indonesian batiks\, Nigerian batiks and hand dyed fabrics that evoke the deserts of Central Australia. The visual texture of the textiles is exploited when it is cut and recombined with other fabrics to create a fresh vision. Traditional patterns are reinterpreted and original designs developed. \nMost of our important life events occur in the bed\, surely it deserves a worthy cover? Moving from the horizontal to the vertical\, a quilt on the wall provides a striking graphic as well as acoustic benefits. \nfor further information on Dianne Finnegan see her website\ndiannefinnegan.com.au
URL:https://barometer.net.au/exhibitions/wanderer-in-the-wilderness/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/10/Wanderer-in-the-Wild.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20090903
DTEND;VALUE=DATE:20091013
DTSTAMP:20241111T024119Z
CREATED:20090831T192117Z
LAST-MODIFIED:20241111T024119Z
UID:998-1251972000-1255345199@barometer.net.au
SUMMARY:Circles
DESCRIPTION:JULIE RYDER and BARBARA ROGERS \n3rd September to 11th October \nThe circle is the most common geometric motif on printed cloth. Its symbolism is a sign of eternity\, of oneness\, of the cycles of human life and the natural world. \nThe circle motif and its potential for creating pattern is explored through a variety of textile techniques by two of Australia’s leading textile artists. \nView Barbara Rogers’ APM portfolio \nView Julie Ryder’s APM portfolio
URL:https://barometer.net.au/exhibitions/circles/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/10/red.jpg
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