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BEGIN:VEVENT
DTSTART;VALUE=DATE:20121003
DTEND;VALUE=DATE:20121023
DTSTAMP:20241111T024118Z
CREATED:20161115T163718Z
LAST-MODIFIED:20241111T024118Z
UID:1336-1349258400-1350903599@barometer.net.au
SUMMARY:Lines of Communication
DESCRIPTION:A collection of art works and postcards – by Janet Parker-Smith\, Elizabeth Pozega and Karen Ball \nJanuary 2012 saw three Sydney printmakers in residence at the Moore Building Fremantle. Each day they made their way by bicycle or bus to Finnerty Street and the Fremantle Art Centre. There they made and exchanged postcards. On their return to Sydney\, they continued this exercise accumulating over 100 postcards – a collection of thoughts\, memories and observations. Unlike emails or text messages\, nothing has been discarded. \nThey are an expression of friendship and shared concerns – the intricate lives of women and the human need for communication.
URL:https://barometer.net.au/exhibitions/lines-of-communication/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/LOC-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120822
DTEND;VALUE=DATE:20121002
DTSTAMP:20241111T024118Z
CREATED:20161115T162955Z
LAST-MODIFIED:20241111T024118Z
UID:1328-1345629600-1349085599@barometer.net.au
SUMMARY:Two Perspectives
DESCRIPTION:Photographers Ginette Vachon and Catherine Rogers exhibit new photographs from a very remote part of the Kimberley Ranges. Wild and spectacular\, full of wildlife\, water and beautiful plants\, Artesian Range is in the north west corner of the Kimberley.
URL:https://barometer.net.au/exhibitions/two-perspectives/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/C-Rogers-Artesian-range-Rocks.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120725
DTEND;VALUE=DATE:20120821
DTSTAMP:20241111T024118Z
CREATED:20161115T161410Z
LAST-MODIFIED:20241111T024118Z
UID:1322-1343210400-1345456799@barometer.net.au
SUMMARY:Wrap
DESCRIPTION:Hand dyed scarves and shawls by Barbara Rogers \n“Scarves are works of art in their own right” \nThis exhibition of scarves and shawls demonstrates the extent to which the traditional craft of Shibori adapts to contemporary design. \nShibori is a traditional Japanese resist-dye technique of textile patterning. The variety of amazing colours\, patterns and textures are made by binding\, stitching\, folding\, twisting and compressing cloth before the textiles are dyed. The tradition still lives today. \nBarbara Rogers has over 20 years experience in textile design and fashion and has developed her own methods of dyeing from traditional Japanese techniques. Using this accumulated knowledge together with experimental freedom\, Rogers pushes the possibilities of Shibori to its creative limit\, building layers of colour and pattern to produce highly complex fabrics. Each piece is unique and instantly recognisable as the Rogers label.
URL:https://barometer.net.au/exhibitions/wrap/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/scarf.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120704
DTEND;VALUE=DATE:20120723
DTSTAMP:20241111T024118Z
CREATED:20161115T150429Z
LAST-MODIFIED:20241111T024118Z
UID:1315-1341396000-1342951199@barometer.net.au
SUMMARY:The Ocean
DESCRIPTION:Ginette Vachon presents photographs of oceans from around the world. \nExpressing the ocean in words or images is a challenging venture. \nWe get glimpses of its beauty\, variety\, moods and chaos while sailing or simply spending time on a shore. At sea\, the ocean can be an awesome palette of colors\, and moving shapes. Raging tidal waves\, scattered ice\, floating trash\, and more\, cover or agitate its surface. \nOur life and that of the whole planet depends on the ocean. Hence\, my interest in picturing that overwhelming seascape\, and my desire to create a further awareness and respect for its beauty and fragility\, and to encourage its preservation. \n© 2012 Ginette Vachon
URL:https://barometer.net.au/exhibitions/the-ocean/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Ar-Eqip-Sermia-ice-from-the-Glacier-Disko-Bay-North-Atlantic-Greenland-Ginette-Vachon-2011.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120626
DTEND;VALUE=DATE:20120703
DTSTAMP:20241111T024118Z
CREATED:20161115T143916Z
LAST-MODIFIED:20241111T024118Z
UID:1308-1340704800-1341223199@barometer.net.au
SUMMARY:WALTER G. pop-up shop
DESCRIPTION:Opening Thursday 28th June 6.30 – 8.30pm \nFresh on the Sydney design scene\, Walter G. will be showcasing their range of hand printed and naturally dyed textiles\, cushions and bespoke lighting. \n 
URL:https://barometer.net.au/exhibitions/walter-g-pop-up-shop/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Walter_G-108.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120615
DTEND;VALUE=DATE:20120625
DTSTAMP:20241111T024118Z
CREATED:20161115T141730Z
LAST-MODIFIED:20241111T024118Z
UID:1299-1339754400-1340531999@barometer.net.au
SUMMARY:Special Pieces
DESCRIPTION:Sally Campbell’s new collection features handmade indigo shibori quilts and cushions. \nAlso included in the SPECIAL PIECES exhibition are the finest handwoven pashmina scarves and stoles\, cashmere blankets\, silk embroidery and vintage textiles. \nOpening 14 June 5.30 – 7.30pm
URL:https://barometer.net.au/exhibitions/special-pieces/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/SALLY-CAMPBELL-BAROMETER-IMAGE.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120523
DTEND;VALUE=DATE:20120611
DTSTAMP:20241111T024118Z
CREATED:20161115T135411Z
LAST-MODIFIED:20241111T024118Z
UID:1291-1337767200-1339322399@barometer.net.au
SUMMARY:FibreFour
DESCRIPTION:Textile practitioners Liz Gemmell\, Beth Hatton\, Irene Manion and Barbara Rogers explore environmental issues\, abstraction through geometric pattern and innovative garment design. \nLiz Gemmell’s ongoing passion is to search out and refine garment designs that have a geometric simplicity. She started with knitting and then moved to felting\, using nuno\, lace and 3D techniques. Knitting enables her to shape a garment while simultaneously exploring surface design\, and felting allows her to make the garment reversible in colour and texture\, and to use soluble stabilizer and machine embroidery. Recently\, she has been felting and shaping hand knits\, and recycling commercially produced knitwear into new works. Gemmell has taught knitting design for over 20 years and currently lectures part-time in textiles and dyeing at the University of Technology\, Sydney.   She has exhibited throughout NSW and is an exhibiting member of The Society of Arts and Crafts of NSW. \nBeth Hatton’s work focuses on the impact of settlement on the Australian environment. In a series of rugs woven with kangaroo skin offcuts and wool\, she explores the effects of colonisation on native mammals\, while her sculptures stitched from plant materials comment on the various tools of settlement.  After discovering the achievements of landholders\, who are restoring the health of their farms through holistic land management\, she began stitching a series of celebratory vessels from native grasses. Hatton has exhibited across Australia and overseas – Japan\, Germany\, USA\, received numerous awards including two Australia Council grants (1996\, 2000) and is represented in major public collections including the National Gallery of Australia. \nIrene Manion explores a range of personal and environmental issues in her textile works\, which she has exhibited since the early 1980s.  Her original training was in Fine Arts at Sydney University and for many years she has taught art in high schools.  She works in a variety of media\, including dye-sublimation onto synthetic fabrics\, and has devised her own machine stitching techniques. She often develops her designs from her own digital photographs which she adapts using Adobe Illustrator and Photoshop.  She has participated in many exhibitions in Australia and overseas -South East Asia\, New Zealand and most recently\, the Cornell Lab of Ornithology in Ithaca\, New York\, USA. \nBarbara Rogers has worked with shibori since the late 1980s.  After training and working in Fashion Design in Sydney\, she attended many shibori workshops\, in Australia and overseas. Rogers constantly sketches ideas for new designs\, often inspired by her love of African and 1920s pattern. She uses simple geometric shapes to create a contrast between dyed and undyed areas of the cloth. Combining carved-board clamped-resist with traditional shibori\, Rogers discharges dyes from the fabrics\, then overdyes them in other colours to produce highly complex textiles.  Rogers has exhibited nationally and internationally\, and participated in the last six shibori symposia.  In 2005 she exhibited in ARTWEAR – Fashion and Anti-fashion at the Fine Arts Museum of San Francisco.  Her works are in numerous private and public collections.
URL:https://barometer.net.au/exhibitions/fibrefour/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Irene-Manion-detail.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120502
DTEND;VALUE=DATE:20120521
DTSTAMP:20241111T024118Z
CREATED:20161115T134529Z
LAST-MODIFIED:20241111T024118Z
UID:1284-1335952800-1337507999@barometer.net.au
SUMMARY:Back to the Garden
DESCRIPTION:Opening hours Weds-Sat 12-6pm \nRowan Conroy\, Paul Ogier and Catherine Rogers present three diverse bodies of work which survey the role of the garden as a concept within current photographic practice. 
The garden is the silent background to science\, philosophy and art. The earliest 19th century photographic experiments where tied to the study of plants. The photographic practices of Conroy\, Ogier and Rogers are concerned with the intersections of photographic technology\, landscape history\, and the physicality of the print. \n \n  \nwww.rowanconroy.com\nwww.paulogier.com\nwww.catherinerogers.com.au
URL:https://barometer.net.au/exhibitions/back-to-the-garden/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/1-Paul-Ogier-number-3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120426
DTEND;VALUE=DATE:20120501
DTSTAMP:20241111T024118Z
CREATED:20161104T015351Z
LAST-MODIFIED:20241111T024118Z
UID:1242-1335434400-1335779999@barometer.net.au
SUMMARY:Curious Maiden
DESCRIPTION:How did a story that was recorded centuries ago by two German brothers inspire Australian artist Gabrielle Mordy to immerse paper within pots of boiling eucalyptus leaves? The Handless Maiden is a relatively obscure fairy tale collected by the Brothers Grimm which tells the story of a young girl who\, when betrayed and maimed by her family\, takes off into the forest to find her own pathway in the world. This traditional German fairy tale has been a central inspiration behind the Curious Maidens exhibition\, which features artwork created entirely from plant dyed watercolour paper.
URL:https://barometer.net.au/exhibitions/curious-maiden/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/GabrielleMordy01.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120310
DTEND;VALUE=DATE:20120417
DTSTAMP:20241111T024118Z
CREATED:20161104T014203Z
LAST-MODIFIED:20241111T024118Z
UID:1235-1331377200-1334570399@barometer.net.au
SUMMARY:Fold/Unfold
DESCRIPTION:Textiles and Leather are hand dyed in shibori technique by Barbara Rogers \nCloth may be drawn up and bound\, stitched and gathered\, pleated and bound\, folded and clamped between boards\, or wrapped around a pole then pushed along to compress the fabric into folds. When the cloth is returned to its two dimensional form after dyeing\, the design that emerges is the result of the three dimensional shape\, the type of resist\, and the amount of pressure from the thread or clamp that secured the shape during the cloth’s exposure to the dye.
URL:https://barometer.net.au/exhibitions/foldunfold/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/BRogers1_1-kangaroo-skin-28cmsx39cms.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120128
DTEND;VALUE=DATE:20120306
DTSTAMP:20241111T024118Z
CREATED:20161104T013525Z
LAST-MODIFIED:20241111T024118Z
UID:1232-1327748400-1330945199@barometer.net.au
SUMMARY:Centre\, South\, North
DESCRIPTION:Catherine Rogers shows new large landscape photographs from the Kimberleys and the King Leopold Ranges taken in the winter of 2011. These panoramic images feature spectacular skies. \nAll photographs are processed and printed by the artist as pigment prints on cotton rag paper in limited editions of 5 prints.
URL:https://barometer.net.au/exhibitions/centre-south-north/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Annies-creek.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111203
DTEND;VALUE=DATE:20120124
DTSTAMP:20241111T024118Z
CREATED:20161104T012715Z
LAST-MODIFIED:20241111T024118Z
UID:1225-1322910000-1327316399@barometer.net.au
SUMMARY:Outer the Blue
DESCRIPTION:Julie Ryder\, Barbara Rogers and Catherine Rogers show works in blue for the Barometer Gallery annual Xmas exhibition. \nScreen printed fabric lengths\, cushions\, handkerchiefs and aprons in cotton and tea towels in pure linen by Julie Ryder. \nShibori dyed scarves in silks and cushions in cotton velvet by Barbara Rogers. \nPhotographs and artworks by Catherine Rogers are pigment prints on cotton rag paper. \nAll work is hand made by the artists.
URL:https://barometer.net.au/exhibitions/outer-the-blue/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/JRyder-Babadua-020.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111115
DTEND;VALUE=DATE:20111122
DTSTAMP:20241111T024118Z
CREATED:20161104T011843Z
LAST-MODIFIED:20241111T024118Z
UID:1218-1321354800-1321873199@barometer.net.au
SUMMARY:Souvenirs of etcetera: photographs
DESCRIPTION:Opening night: Tuesday 15 November\, 5 – 7pm\nOpen: Wednesday – Saturday 12 – 6pm\nExhibition Event: Q&A with author\, Sibella Court & photographer\, Chris Court/ Saturday 19 November\, 2 – 4pm \nSibella Court’s first book Etcetera etc: creating beautiful interiors with the things you love won Best Designed Book of the Year 2010. Now\, with her award-winning photographer brother\, Chris Court\, she has created an installation at Barometer Gallery so that you can explore within the life-size pages of Etcetera. \nSibella is an interior stylist\, product designer\, shop owner (The Society inc.)\, globetrotter\, feature writer and author of Etcetera\, The Stylist’s Guide to NYC and Nomad: Bringing your travels home. Chris is internationally sought after & has photographed for Donna Hay\, Vogue Living\, Harpers Bazaar\, Martha Stewart and Living Etc. as well as photographing Etcetera & Nomad with Sibella. \nThe gallery allows you to touch\, see\, marvel & enjoy\, as if you are within the photographs\, discovering them in a space that you exist in\, rather than the book that you hold within your hands. \nYou will be able to feel & experience all the special textured papers that make up Etcetera. Choose and purchase your favourite photographs based on content\, scale & paper textures. \nContact:\nHannah@thesocietyinc.com.au\nLeah@thesocietyinc.com.au \nwww.thesocietyinc.com.au
URL:https://barometer.net.au/exhibitions/souvenirs-of-etcetera-photographs/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Foundation_003.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111102
DTEND;VALUE=DATE:20111115
DTSTAMP:20241111T024118Z
CREATED:20161104T010853Z
LAST-MODIFIED:20241111T024118Z
UID:1211-1320231600-1321268399@barometer.net.au
SUMMARY:Sugar & Spice and all Things Nice
DESCRIPTION:‘Sugar & Spice and all Things Nice’- is what little girls are made of. Isn’t it? \nPia Larsen presents three works that address notions of ‘liberation’\, ageing and self-determination for women today. \n‘Girls on Sticks with Spots’ addresses a number of discourses surrounding the sexualised body including Raunch culture which some claim liberates women as sexual beings as they slide up and down poles scantily dressed. \n‘Top Hits’ is a freeze-framed game which involves tennis racquets\, latex breast casts some filled with tennis balls some empty\, as a metaphor for the time and energy women invest in maintaining an ‘ideal’ body. \nIn the image ‘After Louise’ I carry a polished giant zinc breast shield wearing only floppy ‘playboy bunny’ ears around my neck as a nod to Robert Mapplethorpe’s image of Louise Bourgeois and the playboy bunnies of the 1970’s which I grew up with as symbols of objectified women. \nOpening hours\n11am – 5pm Saturday 5th & 12th November\n11am – 4pm Sunday 6th & 13th November \nThe gallery is unattended during the week but the work is installed within the space to be viewed from the street outside. 
URL:https://barometer.net.au/exhibitions/sugar-spice-and-all-things-nice/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Breastpile.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111015
DTEND;VALUE=DATE:20111101
DTSTAMP:20241111T024118Z
CREATED:20161104T005606Z
LAST-MODIFIED:20241111T024118Z
UID:1200-1318676400-1320058799@barometer.net.au
SUMMARY:Out of the Box
DESCRIPTION:The World Shibori Network Australia and New Zealand is a group of textile artists working in shibori or shaped resist dyeing. \nHere is a selection of works produced for their latest exhibition ‘Out of the Box – Shibori Forces Downunder’. \nInspiration for their works is often taken from nature\, with the artists producing exquisite shapes formed by shibori techniques.
URL:https://barometer.net.au/exhibitions/out-of-the-box/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/01-the-Emergence-of-Cloth.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20110928
DTEND;VALUE=DATE:20111011
DTSTAMP:20241111T024118Z
CREATED:20161104T004101Z
LAST-MODIFIED:20241111T024118Z
UID:1191-1317204000-1318244399@barometer.net.au
SUMMARY:Companion Planting
DESCRIPTION:Me\, Here\, and You\, There\,\n\nCompanion Planting is a mixed-media exhibition inspired by a 2009 Hill End residency in Murray’s Cottage\, the former home of Donald Friend and Donald Murray. The complex relationship between the gregarious well-known artist\, (Friend) and the reclusive\, introverted gardener (Murray) is explored through watercolours\, textiles and objects that are sourced directly from the cottage garden. \nDuring my residency in Murray’s cottage I became absorbed by two things in particular – the diaries written by Donald Friend\, and the cottage garden and orchard they established when they moved to Hill End in 1947. The Friend Diaries (written from when he was a boy until his death in 1989) chronicled his life\, his loves\, his adventures and his opinions on other artists\, people\, places and events.  His words are witty\, succinct\, bitchy and barbed in places.  I became intrigued with the development of his relationships with others over the years – decades even – in particular his relationship with Donald Murray.  Friend took particular interest in the garden that Murray established at the cottage\, and his Diaries are filled with accounts of what they planted\, the seasonal variations\, and the joy that comes from growing and tending a garden. \nThe idea for Companion Planting came through the reading of the Diaries and looking after the cottage garden each day for the month that I was in residence. It became a way of entering into the lives of these two men and gaining insight into their respective personalities.  The textile pieces in the exhibition are all dyed with plants from Murray’s garden\, and the organic materials used in the works on paper and small objects are also derived from there. \nWith this body of work\, I have attempted to expand on the idea of ‘companion planting’ – where certain plants are grown together to enhance each others performance – to examine the dynamics of human relationships; the struggle for identity and recognition that can occur between couples; the compromises required when one’s desires and dreams do not come into fruition\, and the bitterness that can fester under the surface as a result. This not only applies to the Murray/Friend relationship  (and those of other artists who worked in Hill End) but also encompasses the hopes\, aspirations\, and eventual disappointment of the hundreds of miners and their families who came to Hill End in the 1800’s in search of gold. I use the wishbone and rose thorns as symbols for these hopes and fears\, to caution that we must be careful of what we wish for. \nJulie Ryder \nImage 1;\nTitle: Me\, Here\, and You\, There\,\nYear: 2011\nMedium: Wood\, rose petals\, thorns\, hemp\, silk threads dyed with plants from Murray’s cottage\nPhoto Credit: Rob Little\n\nImage 2;\nTitle: All my days follow all your nights – all your yesterdays are all my tomorrows\, (DETAIL)\nYear: 2011\nMedium: Textiles and threads dyed with plants from Murray’s Cottage\nPhoto Credit: Rob Little \nImage 3 and 4\nTitle: Hill End Conversations 2  and also DETAIL\nYear: 2010\nMedium: Rose thorns on paper\, archival glue\nPhoto Credit: Mark Kelly Images \nImage 5\nTitle: Wishbone\nYear: 2010\nMedium: Watercolour on paper\nPhoto Credit: Mark Kelly Images
URL:https://barometer.net.au/exhibitions/companion-planting/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Me-Here-You-There.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20110908
DTEND;VALUE=DATE:20110927
DTSTAMP:20241111T024118Z
CREATED:20161104T002150Z
LAST-MODIFIED:20241111T024118Z
UID:1184-1315476000-1317031199@barometer.net.au
SUMMARY:New Landscapes: the Warburton River - Lake Eyre\, 2011
DESCRIPTION:Catherine Rogers is a Sydney based artist whose photographic practice is based around the landscape – particularly the Australian landscape. This new work shows some preliminary images from a recent trip to Lake Eyre (and beyond) this winter. The larger project includes images and drawings from the Kimberlies\, and from over 8\,000kms of travel by road\, to and from the far north. \nThese new landscapes include images taken from a boat on the Warburton River\, aerial views of the rivers (Warburton\, Kallakoopah) flowing into the north-east corner of Lake Eyre and images taken while on foot in the area of Kalamurina Station (an Australian Wildlife Conservancy property\, see www.australianwildlife.org) which is located on the north-east corner of Lake Eyre\, in the north-east of South Australia. The last two years\, 2010-2011\, have seen a great deal of rain fall in the Lake Eyre area\, as well as across the outback of Australia. As a result the lakes and rivers of South Australia’s dry\, flat centre are teeming with birds\, wildlife and vegetation. It’s an extraordinary place to be. \nAll prints are hand-made – that is\, each image is worked on from camera to final print and also printed – by Catherine Rogers.  Pigment ink on Innova smooth cotton paper\, dimensions variable.  Limited edition sets available (editions of 5). \nFor further information\, please contact the artist at crogers@catherinerogers.com.au or view www.catherinerogers.com.au
URL:https://barometer.net.au/exhibitions/new-landscapes-the-warburton-river-lake-eyre-2011/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Warburton-River-to-Lake-Eyre-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20110824
DTEND;VALUE=DATE:20110907
DTSTAMP:20241111T024118Z
CREATED:20161103T235840Z
LAST-MODIFIED:20241111T024118Z
UID:1176-1314180000-1315303199@barometer.net.au
SUMMARY:Oxford Street Profile (OSP)
DESCRIPTION:Oxford Street Profile (OSP) is a visual narrative of a Sydney street by photographer Philip Quirk. \n \n \nHow do we relate to the streets we are most familiar with? I believe people use the street for their specific needs\, whether it is for business\, pleasure\, shopping or traversing the suburbs. They become familiar with the street and presume it will remain the same\, but change is inevitable and ongoing. OSP argues that the more we use our streets\, the less we see them as they are. \nIn 2009 I set out to photograph every building on both sides of Oxford Street from Queen Street\, Woollahra to Taylor Square\, Darlinghurst. The purpose of this documentation is to observe Oxford Street from street level\, to note the transient human interaction on the street\, and to record the street as it is in the early years of the 21st century. \n \n \nOSP is about a Sydney street today\, which will be relevant to future generations considering the built environment and the evolving nature of streets like Oxford Street. OSP links the fundamental structures of the street\, defining their spatial relationships in a typology and is a functional example of a place in time. \nPhilip Quirk is completing a Masters by Research degree at COFA UNSW. He is the author of four books including Wildlight-Images of Australia and Farm-Life on the Land\, Reed Books. Public Gallery Collections include: Australian National Gallery Canberra\, Art Gallery of NSW\, Parliament House Gallery Canberra\, National Library of Australia Canberra\, South Australian Art Gallery\, Queensland Art Gallery\, Tasmania Museum and Art Gallery\, Albury Regional Art Gallery\, Artbank\, Horsham Regional Art Gallery and Monash Gallery of Art Melbourne.
URL:https://barometer.net.au/exhibitions/oxford-street-profile-osp/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/1-Book-OSP-Barometer-Web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20110816
DTEND;VALUE=DATE:20110823
DTSTAMP:20241111T024118Z
CREATED:20161103T174150Z
LAST-MODIFIED:20241111T024118Z
UID:1169-1313488800-1314007199@barometer.net.au
SUMMARY:The William John Woodhouse Rephotography Project
DESCRIPTION:The William John Woodhouse Rephotography Project  (WJWRP) is the product of four years of research undertaken for the degree of Doctor of Philosophy in Visual Arts through Sydney College of the Arts\, The University of Sydney. This project was made possible through a collaboration with The Nicholson Museum\, University of Sydney\, whose collection  the William John Woodhouse Photographic archive is held. The WJWRP used the process of rephotography to revisit over 145 sites originally photographed by William John Woodhouse in Greece from c.1889-1936.  The exhibition presents a series of large digital prints and seven folios of photographs taken by Rowan Conroy in mainland Greece from December  2009 – September 2010. The new photographs by Conroy and the old by Woodhouse\, are displayed side by side\, inviting the viewer to compare the changes and or continuity of the objects and buildings in the landscape. \nRowan Conroy (b. 1982 Coffs Harbour) is a Sydney based artist whose practice focuses on the use of photography and large format digital printing to present visions of the contemporary landscape and its detritus. Conroy’s photographs document the archaeology of the present\, the collision of the deep past with the recent past. This has been explored through projects such as Puratha: the sad place  (Sydney College of the Arts\, 2007; Coffs Harbour Regional Gallery\, 2008) which surveyed the landscape of the Burrup Peninsular and the threatened rock art of the region. Similarly Lebanon: Photography\, Antiquity and Ruin (Nicholson Museum\, 2006) collected visions of modern lebanon and its antique past.   Conroy’s work is in the collections of the Australia Council for the Arts\, The University of Wollongong Permanent Collection\, Delmar Gallery Trinity Grammar School\, and numerous private collections. \nSee: www.rowanconroy.com
URL:https://barometer.net.au/exhibitions/the-william-john-woodhouse-rephotography-project/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/RMC2010.55.7.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20110730
DTEND;VALUE=DATE:20110816
DTSTAMP:20241111T024118Z
CREATED:20161103T173318Z
LAST-MODIFIED:20241111T024118Z
UID:1163-1312020000-1313402399@barometer.net.au
SUMMARY:Nets
DESCRIPTION:‘NETS’ \nAn exhibition of works by Australian artists responding to the theme of nets. \nThe exhibits show the Australian component of ‘NETS’ – a global project across the textile departments of three universities: University of Cumbria (UK)\, Novia University of Applied Sciences (Finland)\, Australia National University\, Canberra (Australia).  The project aims to develop contemporary textiles practise and build connections between textile communities and departments within higher education. It explores new collaborative forms of education\, mentoring\, training and mutual support through textile practice. The theme came about through networking between the universities and it allows students and artists to explore nets\, netting\, networks and netted objects and associations in the widest\, freest\, individual interpretations. \nTextile based production\, the mother of both technology and modern design\, is one of the oldest industries in the world\, but also one of the most adventurous and forward thinking. The textile industry has always provided a platform for blending tradition with new technology\, developing new materials\, ways of working and forms.\n‘NETS’ is a joint global venture which aims to explore current issues through textile practice and to raise the profile of textiles education internationally. ‘NETS’ focuses on creativity\, imagination and collaboration. By nurturing a functioning network between different textile communities and institutions\, we can celebrate the diversity of artistic power\, dynamics and optimism of textile practice. \nThe ultimate aim of ‘NETS’ is to promote and develop textile artists and education and to equip artists and graduates with up-to-date skills to meet challenges\, network internationally and seize new career opportunities. To achieve this goal\, workshops were organised with artists from the community and students to work on the theme\, learn techniques and explore ideas.
URL:https://barometer.net.au/exhibitions/nets/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Barbara-Jackson-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20110615
DTEND;VALUE=DATE:20110726
DTSTAMP:20241111T024118Z
CREATED:20161103T172721Z
LAST-MODIFIED:20241111T024118Z
UID:1155-1308132000-1311587999@barometer.net.au
SUMMARY:Threads of Life
DESCRIPTION:Electron and Scanning Electron Microscopy have informed Julie Ryder’s latest body of work. \nI have used images of my scanned fabrics and microorganisms to form new designs and motifs for my textiles. SEM images are produced in black and white\, so any colour is introduced and enhanced by computer software programs. I have investigated the use of the digital colour palette in this latest body of work\, and have interpreted it through hand-printing with reactive dyes onto cotton fabrics. \nThe technique I have used is called ‘chemical resist’\, whereby the properties of one class of reactive dye inhibit the application of another.  This enables you to get multi-colour designs onto the fabrics with dyes\, without using silkscreen separations. \nIn “Threads of Life” the textile lengths represent my interpretations of the transference of genetic information from one life form to another. This is the ‘unseen’ material that keeps our society alive – both the human world and the microscopic one.
URL:https://barometer.net.au/exhibitions/threads-of-life/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Julie-Ryder.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20110504
DTEND;VALUE=DATE:20110609
DTSTAMP:20241111T024118Z
CREATED:20161103T172147Z
LAST-MODIFIED:20241111T024118Z
UID:1149-1304503200-1307527199@barometer.net.au
SUMMARY:October (1953)
DESCRIPTION:Opening Saturday 7th May from 3pm – 6pm \nOctober (1953) is an exhibition of new work from photographers Paul Ogier and Catherine Rogers. The images are an investigation of a landscape used during the atomic weapons testing in Australia\, in particular\, the 1953 series of tests at the Emu Field atomic test site in South Australia. Rather than just document this desert environment\, this new work speaks to the experience of being in it\, the effect this has on the photographer and the work made. \nPaul Ogier is a Melbourne based artist who is currently researching a new series of Australian atomic landscape photographs. This new series\, 10 Miles\, is an ongoing series of landscape photographs exploring the visual history of atomic bomb testing in Australia and questions what this previous framing of the Australian landscape can contribute to subsequent interpretations of landscape photography in this country. Paul is currently showing images from this series at the Art Gallery of New South Wales in Photography and place: Australian landscape photography 1970s until now. He is represented in the collections of the Art Gallery of New South Wales\, Parliament House\, the Gold Coast City Gallery\, Transfield and Artbank. \nCatherine Rogers is a photographer and artist who works primarily in and across the Australian landscape – including the coast and oceans surrounding Australia\, to the cities\, urban and rural areas\, the ancient forests in Tasmania\, to the desert and remote outback places. She works in both colour and black and white\, with film mostly\, and makes her own fine prints – enjoying the pleasures of the work processes involved with crafting an image on paper from the beginning to its end. Catherine Rogers work is represented in private and corporate collections nationally and internationally\, and in public collections including Parliament House\, National Library of Australia\, Museum of Sydney\, Universities of Western Sydney and Wollongong\, Art Gallery of NSW\, Artbank. \n \nPart of HeadOn photo festival www.headon.com.au
URL:https://barometer.net.au/exhibitions/october-1953/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/OGIER_Charlie-South-Australia-2010.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20110402
DTEND;VALUE=DATE:20110503
DTSTAMP:20241111T024118Z
CREATED:20161103T165128Z
LAST-MODIFIED:20241111T024118Z
UID:1144-1301742000-1304330399@barometer.net.au
SUMMARY:Take a Line
DESCRIPTION:Stripes are the simplest of all patterns\, a series of parallel lines going in one direction\, a rhythmic surface that indicates movement. Stripes are one of the most widely used and enduring patterns. \nWorks by Barbara Rogers
URL:https://barometer.net.au/exhibitions/take-a-line/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/stripes-scarves-085.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20110315
DTEND;VALUE=DATE:20110402
DTSTAMP:20241111T024118Z
CREATED:20161103T164330Z
LAST-MODIFIED:20241111T024118Z
UID:1141-1300186800-1301655599@barometer.net.au
SUMMARY:Video Garden Artefacts (VGA) 1997/2011
DESCRIPTION:Video Garden Artefacts are a series of still video investigations that are a prelude to later work seeking to position gardens as thinking enclosures. They play in between the meaning of each other and the analogue mechanism that connects them. Set in colour\, they present an earlier play between the individual\, camera and landscape. \nNew work by Paul Ogier \nwww.paulogier.com
URL:https://barometer.net.au/exhibitions/video-garden-artefacts-vga-19972011/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/VGA.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20110127
DTEND;VALUE=DATE:20110313
DTSTAMP:20241111T024118Z
CREATED:20161103T162748Z
LAST-MODIFIED:20241111T024118Z
UID:1137-1296126000-1299927599@barometer.net.au
SUMMARY:Shibori in Fashion
DESCRIPTION:SHIBORI\, the ancient resist dye technique\, continues to inspire in the 21st century\, fusing yesterday’s techniques with today’s limitless opportunities to produce original designs. \nTextiles by Barbara Rogers. Also featuring jewellery by Margaret West and Valerie Odewahn
URL:https://barometer.net.au/exhibitions/shibori-in-fashion/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Rhythm-2010.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20101201
DTEND;VALUE=DATE:20110125
DTSTAMP:20241111T024118Z
CREATED:20161103T161856Z
LAST-MODIFIED:20241111T024118Z
UID:1130-1291201200-1295866799@barometer.net.au
SUMMARY:On Our Selection
DESCRIPTION:Featuring works on paper\, cloth and metal by Valerie Odewahn\, Paul Ogier\, Barbara Rogers\, Catherine Rogers\, Julie Ryder and Margaret West.
URL:https://barometer.net.au/exhibitions/on-our-selection/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Another-Chameleon-brooch.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20101103
DTEND;VALUE=DATE:20101130
DTSTAMP:20241111T024118Z
CREATED:20161103T160739Z
LAST-MODIFIED:20241111T024118Z
UID:1127-1288782000-1291028399@barometer.net.au
SUMMARY:Photographs
DESCRIPTION:Unique pigment prints on Archives watercolour paper by Catherine Rogers (1050mm x 665mm)
URL:https://barometer.net.au/exhibitions/photographs/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Hill-End-_Blue-2-11-2010.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20101026
DTEND;VALUE=DATE:20101102
DTSTAMP:20241111T024118Z
CREATED:20161103T151731Z
LAST-MODIFIED:20241111T024118Z
UID:1119-1288090800-1288609199@barometer.net.au
SUMMARY:Fragment Squared
DESCRIPTION:Fragment Squared: contemporary textile design from RMIT University.\n12 emerging designers showcase innovative collections of print\, weave\,\nand knit\, from the digital to the exquisitely hand crafted. \nThe works in this exhibition reflect fragments of the textile process\nwith every designer offering a unique vision of the place of textiles in\nmodern living. Pieces in this collaborative exhibition include hand\nmade\, bespoke home wares\, jewellery and accessories. \nOpening: \nTuesday 26th October 6 – 9pm \nGallery Times: \n27th\, 28th\, 29th\, 30th October 11am – 6pm\n31st October 11am – 3pm
URL:https://barometer.net.au/exhibitions/fragment-squared/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Fragment-squared-logo.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20101005
DTEND;VALUE=DATE:20101026
DTSTAMP:20241111T024118Z
CREATED:20161103T150533Z
LAST-MODIFIED:20241111T024118Z
UID:1111-1286276400-1288004399@barometer.net.au
SUMMARY:In My Nature
DESCRIPTION:Pleasure and wonder are at the core of Brook Morgan’s work and process. This work resonates the beauty found within tactile and somatic inquiry of natural and found materials that are collected\, sorted and arranged into gradated colour and archetypal shapes and often meticulously woven configurations. Casurina needles become line drawings and grasses are sorted and woven into quiet landscapes of subdued browns\, yellows and greens. This work is made in the vein of an intuitive methodology and inquires into the ways we define and look within the nature of creative research. Intuition admits a type of ‘knowing’ that is fostered through sensorial and visceral connectivity. These works through their treatment\, care and consideration permit a sense of sacred or embodied meaning within the objects. \nOpening Tuesday 19 October 6 – 8pm \n5 – 14 October – by appointment \n0415 902 226 or click here to email Brook
URL:https://barometer.net.au/exhibitions/in-my-nature/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Brook-Morgan-Figure2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20100908
DTEND;VALUE=DATE:20101005
DTSTAMP:20241111T024118Z
CREATED:20161103T145918Z
LAST-MODIFIED:20241111T024118Z
UID:1104-1283940000-1286189999@barometer.net.au
SUMMARY:Scarf
DESCRIPTION:An exhibition of contemporary shaped resist dyed scarves and shawls \nThese are works of members of the World Shibori Network Australia and New Zealand (WSN A/NZ) \nOpening – Sunday 12 September at 4.00 pm by Yoshiko Wada\, President of the World Shibori Network
URL:https://barometer.net.au/exhibitions/scarf/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/20100802_0579-2.jpg
END:VEVENT
END:VCALENDAR