An exhibition of contemporary shaped resist dyed scarves and shawls

Pleasure and wonder are at the core of Brook Morgan’s work and process. This work resonates the beauty found within tactile and somatic inquiry of natural and found materials that are collected, sorted and arranged into gradated colour and archetypal shapes and often meticulously woven configurations.

Contemporary textile design from RMIT University.

12 emerging designers showcase innovative collections of print, weave, and knit, from the digital to the exquisitely hand crafted.

Unique pigment prints on Archives watercolour paper by Catherine Rogers

Featuring works on paper, cloth and metal by Valerie Odewahn, Paul Ogier, Barbara Rogers, Catherine Rogers, Julie Ryder and Margaret West.

SHIBORI, the ancient resist dye technique, continues to inspire in the 21st century. Textiles by Barbara Rogers.

Video Garden Artefacts are a series of still video investigations that are a prelude to later work seeking to position gardens as thinking enclosures. New work by Paul Ogier.

Stripes are the simplest of all patterns, a series of parallel lines going in one direction, a rhythmic surface that indicates movement.

October (1953) is an exhibition of new work from photographers Paul Ogier and Catherine Rogers. The images are an investigation of a landscape used during the atomic weapons testing in Australia, in particular, the 1953 series of tests at the Emu Field atomic test site in South Australia.

Electron and Scanning Electron Microscopy have informed Julie Ryder’s latest body of work.

I have used images of my scanned fabrics and microorganisms to form new designs and motifs for my textiles.