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BEGIN:VEVENT
DTSTART;VALUE=DATE:20130626
DTEND;VALUE=DATE:20130730
DTSTAMP:20241111T024118Z
CREATED:20161115T185409Z
LAST-MODIFIED:20241111T024118Z
UID:1401-1372240800-1375091999@barometer.net.au
SUMMARY:Shibori on Paper
DESCRIPTION:Shibori textiles as digital imagery by Barbara Rogers and Catherine Rogers Shibori textiles by Barbara Rogers. Photography by Catherine Rogers
URL:https://barometer.net.au/exhibitions/shibori-on-paper/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/BAR-Shibori-Parallels.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20130522
DTEND;VALUE=DATE:20130625
DTSTAMP:20241111T024118Z
CREATED:20161115T184158Z
LAST-MODIFIED:20241111T024118Z
UID:1397-1369216800-1372067999@barometer.net.au
SUMMARY:Rowan Conroy\, Paul Ogier\, Catherine Rogers
DESCRIPTION:Photographs by Rowan Conroy\, Paul Ogier and Catherine Rogers
URL:https://barometer.net.au/exhibitions/rowan-conroy-paul-ogier-catherine-rogers/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/HUGE-SKY_CHRogersW.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20130509
DTEND;VALUE=DATE:20130520
DTSTAMP:20241111T024118Z
CREATED:20161115T183214Z
LAST-MODIFIED:20241111T024118Z
UID:1393-1368093600-1368957599@barometer.net.au
SUMMARY:Illawarra
DESCRIPTION:Prev\n			1of2\n			Next\n		\n	\n\n\nAn exhibition of photographs by Kurt Sorensen and Koji Makino that draws inspiration from the Illawarra region. Makino documents the community of Japanese-Australian surfers living in the Illawarra using portrait and landscape photography while Sorensen uses diary entries from a survivor of the 18th century shipwreck ‘Sydney Cove’ as inspiration for his wet plate collodion land and seascapes.
URL:https://barometer.net.au/exhibitions/illawarra/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Koji-Makino-installation-ideas-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20130417
DTEND;VALUE=DATE:20130507
DTSTAMP:20241111T024118Z
CREATED:20161115T181030Z
LAST-MODIFIED:20241111T024118Z
UID:1387-1366192800-1367834399@barometer.net.au
SUMMARY:Fold Unfold
DESCRIPTION:Prev\n			1of2\n			Next\n		\n	\n\n\nBarbara Rogers works with the Shibori technique itajime. Shibori is a Japanese term for a variety of methods for dyeing cloth by binding\, stitching\, folding\, twisting or compressing. There are many ways one can bind\, stitch\, fold\, twist or compress cloth for Shibori\, and each way results in very different patterns. Each method is used to achieve a certain result\, and each method is used to work in harmony with the type of cloth. The technique used in Shibori depends not only on the desired pattern\, but also the cloth being dyed. Different techniques can be used with one another to achieve more elaborate results.
URL:https://barometer.net.au/exhibitions/fold-unfold/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/FOLD-UNFOLD-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20130327
DTEND;VALUE=DATE:20130412
DTSTAMP:20241111T024118Z
CREATED:20161115T180041Z
LAST-MODIFIED:20241111T024118Z
UID:1379-1364382000-1365674399@barometer.net.au
SUMMARY:RESISTING THE BLUES
DESCRIPTION:Jane Callender studied textiles at the University of the Creative Arts\, Farnham gaining a BA (hons) degree in 1977.  It was here that she was introduced to both indigo dyeing and shibori and she has been fascinated by this combination ever since. Her work reveals a passion for pattern manifest through shibori techniques\, and as a stitch specialist her focus has been on motif construction and pattern rhythms. The method requires pulling up and tying off hand stitched threads and selected works can be dipped in the indigo vat as many as 20 times. She draws on tradition\, the natural world and geometry; she may choose a fabric for its distinct surface appeal while other textile techniques and dyes are frequently introduced to plainer cloth. Collectively these result in her innovative and unique shibori textiles which have been widely exhibited internationally. \n2000 Pattern Combinations\, A step by step guide to creating pattern by Jane Callender is published by Anova\, Batsford\, and co-published in Japan by Bunka Shuppan in Japanese translation.
URL:https://barometer.net.au/exhibitions/resisting-the-blues/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/1-SPIN_Jane-Callender.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20130311
DTEND;VALUE=DATE:20130326
DTSTAMP:20241111T024118Z
CREATED:20161115T175150Z
LAST-MODIFIED:20241111T024118Z
UID:1370-1362999600-1364209199@barometer.net.au
SUMMARY:ESSENCE OF PLACE
DESCRIPTION:Essence of Place – An exhibition of tapestries by Shunyam Smith \nTapestry as a medium has traditionally been used both to tell stories\, personal and historical\, full of allusion and metaphor. It requires a deeper reading to uncover the hidden layers of meanings and memories that are entwined with the physical materials and slow nature of the weaving. \nStories of places and objects are created by time as well as their physicality\, and to begin to understand the essence of a place one must absorb these slowly\, over time. Some of these tapestries tell more obvious stories\, but always shaped by the intangible boundaries between land\, humankind\, and the influences of place. For decades now\, watching the changing process of the land where I live has allowed me to ‘read’ and absorb these stories and memories stored in trees\, rocks\, lakes\, rivers\, forests and mountains. Our human memories are traced in objects all around us. Nature has written her history everywhere if we choose to look slowly and deeply. \nAt the heart of my work is this interrelation of stories and the material\, their mutual intrication a metaphor for the weaving process\, revealing the richness and complexity of the essence of place.
URL:https://barometer.net.au/exhibitions/essence-of-place/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/1-Wood.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20130130
DTEND;VALUE=DATE:20130305
DTSTAMP:20241111T024118Z
CREATED:20161115T174134Z
LAST-MODIFIED:20241111T024118Z
UID:1366-1359543600-1362394799@barometer.net.au
SUMMARY:Seven Seas
DESCRIPTION:Catherine Rogers shows selected photographs from a new series about the horizon – the sea and the sky. The images displayed are part of a larger series and are working prints\, scaled down for exhibition purposes. The photographs are both constructed and ‘straight’ photographic images of the sea and the sky. \nAll images printed by the photographer on cotton rag paper with pigment ink.
URL:https://barometer.net.au/exhibitions/seven-seas/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Long-sea-and-sky-yellow.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20121128
DTEND;VALUE=DATE:20131122
DTSTAMP:20241111T024118Z
CREATED:20161115T173402Z
LAST-MODIFIED:20241111T024118Z
UID:1359-1354100400-1385031599@barometer.net.au
SUMMARY:RED
DESCRIPTION:Group show featuring the colour red
URL:https://barometer.net.au/exhibitions/red/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/pOSTER-1_F8.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20121115
DTEND;VALUE=DATE:20121123
DTSTAMP:20241111T024118Z
CREATED:20161115T172956Z
LAST-MODIFIED:20241111T024118Z
UID:1350-1352977200-1353581999@barometer.net.au
SUMMARY:An Indian Summer
DESCRIPTION:Sydney based textile duo\, Walter G\, will be showcasing their Summer range of hand printed and naturally dyed textiles\, vintage turbans and bespoke lighting. \nWalter G’s new range “An Indian Summer” celebrates colour and pattern with a festive array of textiles\, lamps and ottomans. Raja pink and marigold turban shades sit atop antique tea urns and weathered Indian army water flasks\, as soothing hues of mud printed canvas wrap tightly around wooden stools and fluffy cushions. All fabrics are hand block printed and riddled with marvellous imperfections that tell tales of many Indian Summers past!
URL:https://barometer.net.au/exhibitions/an-indian-summer/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Genie-turban-lamp.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20121024
DTEND;VALUE=DATE:20121113
DTSTAMP:20241111T024118Z
CREATED:20161115T170346Z
LAST-MODIFIED:20241111T024118Z
UID:1343-1351076400-1352717999@barometer.net.au
SUMMARY:SECOND NATURE
DESCRIPTION:Working with natural dyes and fabrics Julie Ryder explores the boundaries and tensions between nature and culture\, and the space between. \nCanberra-based textile artist Julie Ryder combines the arts practice of printmaking with the impact of chemical reaction and transformation. Ryder’s early science training and study working in a veterinary research lab\, have translated into her science-based arts practice; her early scientific research and investigation led her to an ongoing fascination with the micro and the macro in nature. She uses bacteria\, moulds\, the chemical reaction that occurs between vegetable matter\, natural fibres and various minerals used for mordants to create her naturally-dyed textiles and embroideries.
URL:https://barometer.net.au/exhibitions/second-nature/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/SecondNature1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20121003
DTEND;VALUE=DATE:20121023
DTSTAMP:20241111T024118Z
CREATED:20161115T163718Z
LAST-MODIFIED:20241111T024118Z
UID:1336-1349258400-1350903599@barometer.net.au
SUMMARY:Lines of Communication
DESCRIPTION:A collection of art works and postcards – by Janet Parker-Smith\, Elizabeth Pozega and Karen Ball \nJanuary 2012 saw three Sydney printmakers in residence at the Moore Building Fremantle. Each day they made their way by bicycle or bus to Finnerty Street and the Fremantle Art Centre. There they made and exchanged postcards. On their return to Sydney\, they continued this exercise accumulating over 100 postcards – a collection of thoughts\, memories and observations. Unlike emails or text messages\, nothing has been discarded. \nThey are an expression of friendship and shared concerns – the intricate lives of women and the human need for communication.
URL:https://barometer.net.au/exhibitions/lines-of-communication/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/LOC-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120822
DTEND;VALUE=DATE:20121002
DTSTAMP:20241111T024118Z
CREATED:20161115T162955Z
LAST-MODIFIED:20241111T024118Z
UID:1328-1345629600-1349085599@barometer.net.au
SUMMARY:Two Perspectives
DESCRIPTION:Photographers Ginette Vachon and Catherine Rogers exhibit new photographs from a very remote part of the Kimberley Ranges. Wild and spectacular\, full of wildlife\, water and beautiful plants\, Artesian Range is in the north west corner of the Kimberley.
URL:https://barometer.net.au/exhibitions/two-perspectives/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/C-Rogers-Artesian-range-Rocks.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120725
DTEND;VALUE=DATE:20120821
DTSTAMP:20241111T024118Z
CREATED:20161115T161410Z
LAST-MODIFIED:20241111T024118Z
UID:1322-1343210400-1345456799@barometer.net.au
SUMMARY:Wrap
DESCRIPTION:Hand dyed scarves and shawls by Barbara Rogers \n“Scarves are works of art in their own right” \nThis exhibition of scarves and shawls demonstrates the extent to which the traditional craft of Shibori adapts to contemporary design. \nShibori is a traditional Japanese resist-dye technique of textile patterning. The variety of amazing colours\, patterns and textures are made by binding\, stitching\, folding\, twisting and compressing cloth before the textiles are dyed. The tradition still lives today. \nBarbara Rogers has over 20 years experience in textile design and fashion and has developed her own methods of dyeing from traditional Japanese techniques. Using this accumulated knowledge together with experimental freedom\, Rogers pushes the possibilities of Shibori to its creative limit\, building layers of colour and pattern to produce highly complex fabrics. Each piece is unique and instantly recognisable as the Rogers label.
URL:https://barometer.net.au/exhibitions/wrap/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/scarf.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120704
DTEND;VALUE=DATE:20120723
DTSTAMP:20241111T024118Z
CREATED:20161115T150429Z
LAST-MODIFIED:20241111T024118Z
UID:1315-1341396000-1342951199@barometer.net.au
SUMMARY:The Ocean
DESCRIPTION:Ginette Vachon presents photographs of oceans from around the world. \nExpressing the ocean in words or images is a challenging venture. \nWe get glimpses of its beauty\, variety\, moods and chaos while sailing or simply spending time on a shore. At sea\, the ocean can be an awesome palette of colors\, and moving shapes. Raging tidal waves\, scattered ice\, floating trash\, and more\, cover or agitate its surface. \nOur life and that of the whole planet depends on the ocean. Hence\, my interest in picturing that overwhelming seascape\, and my desire to create a further awareness and respect for its beauty and fragility\, and to encourage its preservation. \n© 2012 Ginette Vachon
URL:https://barometer.net.au/exhibitions/the-ocean/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Ar-Eqip-Sermia-ice-from-the-Glacier-Disko-Bay-North-Atlantic-Greenland-Ginette-Vachon-2011.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120626
DTEND;VALUE=DATE:20120703
DTSTAMP:20241111T024118Z
CREATED:20161115T143916Z
LAST-MODIFIED:20241111T024118Z
UID:1308-1340704800-1341223199@barometer.net.au
SUMMARY:WALTER G. pop-up shop
DESCRIPTION:Opening Thursday 28th June 6.30 – 8.30pm \nFresh on the Sydney design scene\, Walter G. will be showcasing their range of hand printed and naturally dyed textiles\, cushions and bespoke lighting. \n 
URL:https://barometer.net.au/exhibitions/walter-g-pop-up-shop/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Walter_G-108.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120615
DTEND;VALUE=DATE:20120625
DTSTAMP:20241111T024118Z
CREATED:20161115T141730Z
LAST-MODIFIED:20241111T024118Z
UID:1299-1339754400-1340531999@barometer.net.au
SUMMARY:Special Pieces
DESCRIPTION:Sally Campbell’s new collection features handmade indigo shibori quilts and cushions. \nAlso included in the SPECIAL PIECES exhibition are the finest handwoven pashmina scarves and stoles\, cashmere blankets\, silk embroidery and vintage textiles. \nOpening 14 June 5.30 – 7.30pm
URL:https://barometer.net.au/exhibitions/special-pieces/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/SALLY-CAMPBELL-BAROMETER-IMAGE.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120523
DTEND;VALUE=DATE:20120611
DTSTAMP:20241111T024118Z
CREATED:20161115T135411Z
LAST-MODIFIED:20241111T024118Z
UID:1291-1337767200-1339322399@barometer.net.au
SUMMARY:FibreFour
DESCRIPTION:Textile practitioners Liz Gemmell\, Beth Hatton\, Irene Manion and Barbara Rogers explore environmental issues\, abstraction through geometric pattern and innovative garment design. \nLiz Gemmell’s ongoing passion is to search out and refine garment designs that have a geometric simplicity. She started with knitting and then moved to felting\, using nuno\, lace and 3D techniques. Knitting enables her to shape a garment while simultaneously exploring surface design\, and felting allows her to make the garment reversible in colour and texture\, and to use soluble stabilizer and machine embroidery. Recently\, she has been felting and shaping hand knits\, and recycling commercially produced knitwear into new works. Gemmell has taught knitting design for over 20 years and currently lectures part-time in textiles and dyeing at the University of Technology\, Sydney.   She has exhibited throughout NSW and is an exhibiting member of The Society of Arts and Crafts of NSW. \nBeth Hatton’s work focuses on the impact of settlement on the Australian environment. In a series of rugs woven with kangaroo skin offcuts and wool\, she explores the effects of colonisation on native mammals\, while her sculptures stitched from plant materials comment on the various tools of settlement.  After discovering the achievements of landholders\, who are restoring the health of their farms through holistic land management\, she began stitching a series of celebratory vessels from native grasses. Hatton has exhibited across Australia and overseas – Japan\, Germany\, USA\, received numerous awards including two Australia Council grants (1996\, 2000) and is represented in major public collections including the National Gallery of Australia. \nIrene Manion explores a range of personal and environmental issues in her textile works\, which she has exhibited since the early 1980s.  Her original training was in Fine Arts at Sydney University and for many years she has taught art in high schools.  She works in a variety of media\, including dye-sublimation onto synthetic fabrics\, and has devised her own machine stitching techniques. She often develops her designs from her own digital photographs which she adapts using Adobe Illustrator and Photoshop.  She has participated in many exhibitions in Australia and overseas -South East Asia\, New Zealand and most recently\, the Cornell Lab of Ornithology in Ithaca\, New York\, USA. \nBarbara Rogers has worked with shibori since the late 1980s.  After training and working in Fashion Design in Sydney\, she attended many shibori workshops\, in Australia and overseas. Rogers constantly sketches ideas for new designs\, often inspired by her love of African and 1920s pattern. She uses simple geometric shapes to create a contrast between dyed and undyed areas of the cloth. Combining carved-board clamped-resist with traditional shibori\, Rogers discharges dyes from the fabrics\, then overdyes them in other colours to produce highly complex textiles.  Rogers has exhibited nationally and internationally\, and participated in the last six shibori symposia.  In 2005 she exhibited in ARTWEAR – Fashion and Anti-fashion at the Fine Arts Museum of San Francisco.  Her works are in numerous private and public collections.
URL:https://barometer.net.au/exhibitions/fibrefour/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Irene-Manion-detail.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120502
DTEND;VALUE=DATE:20120521
DTSTAMP:20241111T024118Z
CREATED:20161115T134529Z
LAST-MODIFIED:20241111T024118Z
UID:1284-1335952800-1337507999@barometer.net.au
SUMMARY:Back to the Garden
DESCRIPTION:Opening hours Weds-Sat 12-6pm \nRowan Conroy\, Paul Ogier and Catherine Rogers present three diverse bodies of work which survey the role of the garden as a concept within current photographic practice. 
The garden is the silent background to science\, philosophy and art. The earliest 19th century photographic experiments where tied to the study of plants. The photographic practices of Conroy\, Ogier and Rogers are concerned with the intersections of photographic technology\, landscape history\, and the physicality of the print. \n \n  \nwww.rowanconroy.com\nwww.paulogier.com\nwww.catherinerogers.com.au
URL:https://barometer.net.au/exhibitions/back-to-the-garden/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/1-Paul-Ogier-number-3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120426
DTEND;VALUE=DATE:20120501
DTSTAMP:20241111T024118Z
CREATED:20161104T015351Z
LAST-MODIFIED:20241111T024118Z
UID:1242-1335434400-1335779999@barometer.net.au
SUMMARY:Curious Maiden
DESCRIPTION:How did a story that was recorded centuries ago by two German brothers inspire Australian artist Gabrielle Mordy to immerse paper within pots of boiling eucalyptus leaves? The Handless Maiden is a relatively obscure fairy tale collected by the Brothers Grimm which tells the story of a young girl who\, when betrayed and maimed by her family\, takes off into the forest to find her own pathway in the world. This traditional German fairy tale has been a central inspiration behind the Curious Maidens exhibition\, which features artwork created entirely from plant dyed watercolour paper.
URL:https://barometer.net.au/exhibitions/curious-maiden/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/GabrielleMordy01.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120310
DTEND;VALUE=DATE:20120417
DTSTAMP:20241111T024118Z
CREATED:20161104T014203Z
LAST-MODIFIED:20241111T024118Z
UID:1235-1331377200-1334570399@barometer.net.au
SUMMARY:Fold/Unfold
DESCRIPTION:Textiles and Leather are hand dyed in shibori technique by Barbara Rogers \nCloth may be drawn up and bound\, stitched and gathered\, pleated and bound\, folded and clamped between boards\, or wrapped around a pole then pushed along to compress the fabric into folds. When the cloth is returned to its two dimensional form after dyeing\, the design that emerges is the result of the three dimensional shape\, the type of resist\, and the amount of pressure from the thread or clamp that secured the shape during the cloth’s exposure to the dye.
URL:https://barometer.net.au/exhibitions/foldunfold/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/BRogers1_1-kangaroo-skin-28cmsx39cms.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120128
DTEND;VALUE=DATE:20120306
DTSTAMP:20241111T024118Z
CREATED:20161104T013525Z
LAST-MODIFIED:20241111T024118Z
UID:1232-1327748400-1330945199@barometer.net.au
SUMMARY:Centre\, South\, North
DESCRIPTION:Catherine Rogers shows new large landscape photographs from the Kimberleys and the King Leopold Ranges taken in the winter of 2011. These panoramic images feature spectacular skies. \nAll photographs are processed and printed by the artist as pigment prints on cotton rag paper in limited editions of 5 prints.
URL:https://barometer.net.au/exhibitions/centre-south-north/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Annies-creek.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111203
DTEND;VALUE=DATE:20120124
DTSTAMP:20241111T024118Z
CREATED:20161104T012715Z
LAST-MODIFIED:20241111T024118Z
UID:1225-1322910000-1327316399@barometer.net.au
SUMMARY:Outer the Blue
DESCRIPTION:Julie Ryder\, Barbara Rogers and Catherine Rogers show works in blue for the Barometer Gallery annual Xmas exhibition. \nScreen printed fabric lengths\, cushions\, handkerchiefs and aprons in cotton and tea towels in pure linen by Julie Ryder. \nShibori dyed scarves in silks and cushions in cotton velvet by Barbara Rogers. \nPhotographs and artworks by Catherine Rogers are pigment prints on cotton rag paper. \nAll work is hand made by the artists.
URL:https://barometer.net.au/exhibitions/outer-the-blue/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/JRyder-Babadua-020.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111115
DTEND;VALUE=DATE:20111122
DTSTAMP:20241111T024118Z
CREATED:20161104T011843Z
LAST-MODIFIED:20241111T024118Z
UID:1218-1321354800-1321873199@barometer.net.au
SUMMARY:Souvenirs of etcetera: photographs
DESCRIPTION:Opening night: Tuesday 15 November\, 5 – 7pm\nOpen: Wednesday – Saturday 12 – 6pm\nExhibition Event: Q&A with author\, Sibella Court & photographer\, Chris Court/ Saturday 19 November\, 2 – 4pm \nSibella Court’s first book Etcetera etc: creating beautiful interiors with the things you love won Best Designed Book of the Year 2010. Now\, with her award-winning photographer brother\, Chris Court\, she has created an installation at Barometer Gallery so that you can explore within the life-size pages of Etcetera. \nSibella is an interior stylist\, product designer\, shop owner (The Society inc.)\, globetrotter\, feature writer and author of Etcetera\, The Stylist’s Guide to NYC and Nomad: Bringing your travels home. Chris is internationally sought after & has photographed for Donna Hay\, Vogue Living\, Harpers Bazaar\, Martha Stewart and Living Etc. as well as photographing Etcetera & Nomad with Sibella. \nThe gallery allows you to touch\, see\, marvel & enjoy\, as if you are within the photographs\, discovering them in a space that you exist in\, rather than the book that you hold within your hands. \nYou will be able to feel & experience all the special textured papers that make up Etcetera. Choose and purchase your favourite photographs based on content\, scale & paper textures. \nContact:\nHannah@thesocietyinc.com.au\nLeah@thesocietyinc.com.au \nwww.thesocietyinc.com.au
URL:https://barometer.net.au/exhibitions/souvenirs-of-etcetera-photographs/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Foundation_003.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111102
DTEND;VALUE=DATE:20111115
DTSTAMP:20241111T024118Z
CREATED:20161104T010853Z
LAST-MODIFIED:20241111T024118Z
UID:1211-1320231600-1321268399@barometer.net.au
SUMMARY:Sugar & Spice and all Things Nice
DESCRIPTION:‘Sugar & Spice and all Things Nice’- is what little girls are made of. Isn’t it? \nPia Larsen presents three works that address notions of ‘liberation’\, ageing and self-determination for women today. \n‘Girls on Sticks with Spots’ addresses a number of discourses surrounding the sexualised body including Raunch culture which some claim liberates women as sexual beings as they slide up and down poles scantily dressed. \n‘Top Hits’ is a freeze-framed game which involves tennis racquets\, latex breast casts some filled with tennis balls some empty\, as a metaphor for the time and energy women invest in maintaining an ‘ideal’ body. \nIn the image ‘After Louise’ I carry a polished giant zinc breast shield wearing only floppy ‘playboy bunny’ ears around my neck as a nod to Robert Mapplethorpe’s image of Louise Bourgeois and the playboy bunnies of the 1970’s which I grew up with as symbols of objectified women. \nOpening hours\n11am – 5pm Saturday 5th & 12th November\n11am – 4pm Sunday 6th & 13th November \nThe gallery is unattended during the week but the work is installed within the space to be viewed from the street outside. 
URL:https://barometer.net.au/exhibitions/sugar-spice-and-all-things-nice/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Breastpile.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20111015
DTEND;VALUE=DATE:20111101
DTSTAMP:20241111T024118Z
CREATED:20161104T005606Z
LAST-MODIFIED:20241111T024118Z
UID:1200-1318676400-1320058799@barometer.net.au
SUMMARY:Out of the Box
DESCRIPTION:The World Shibori Network Australia and New Zealand is a group of textile artists working in shibori or shaped resist dyeing. \nHere is a selection of works produced for their latest exhibition ‘Out of the Box – Shibori Forces Downunder’. \nInspiration for their works is often taken from nature\, with the artists producing exquisite shapes formed by shibori techniques.
URL:https://barometer.net.au/exhibitions/out-of-the-box/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/01-the-Emergence-of-Cloth.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20110928
DTEND;VALUE=DATE:20111011
DTSTAMP:20241111T024118Z
CREATED:20161104T004101Z
LAST-MODIFIED:20241111T024118Z
UID:1191-1317204000-1318244399@barometer.net.au
SUMMARY:Companion Planting
DESCRIPTION:Me\, Here\, and You\, There\,\n\nCompanion Planting is a mixed-media exhibition inspired by a 2009 Hill End residency in Murray’s Cottage\, the former home of Donald Friend and Donald Murray. The complex relationship between the gregarious well-known artist\, (Friend) and the reclusive\, introverted gardener (Murray) is explored through watercolours\, textiles and objects that are sourced directly from the cottage garden. \nDuring my residency in Murray’s cottage I became absorbed by two things in particular – the diaries written by Donald Friend\, and the cottage garden and orchard they established when they moved to Hill End in 1947. The Friend Diaries (written from when he was a boy until his death in 1989) chronicled his life\, his loves\, his adventures and his opinions on other artists\, people\, places and events.  His words are witty\, succinct\, bitchy and barbed in places.  I became intrigued with the development of his relationships with others over the years – decades even – in particular his relationship with Donald Murray.  Friend took particular interest in the garden that Murray established at the cottage\, and his Diaries are filled with accounts of what they planted\, the seasonal variations\, and the joy that comes from growing and tending a garden. \nThe idea for Companion Planting came through the reading of the Diaries and looking after the cottage garden each day for the month that I was in residence. It became a way of entering into the lives of these two men and gaining insight into their respective personalities.  The textile pieces in the exhibition are all dyed with plants from Murray’s garden\, and the organic materials used in the works on paper and small objects are also derived from there. \nWith this body of work\, I have attempted to expand on the idea of ‘companion planting’ – where certain plants are grown together to enhance each others performance – to examine the dynamics of human relationships; the struggle for identity and recognition that can occur between couples; the compromises required when one’s desires and dreams do not come into fruition\, and the bitterness that can fester under the surface as a result. This not only applies to the Murray/Friend relationship  (and those of other artists who worked in Hill End) but also encompasses the hopes\, aspirations\, and eventual disappointment of the hundreds of miners and their families who came to Hill End in the 1800’s in search of gold. I use the wishbone and rose thorns as symbols for these hopes and fears\, to caution that we must be careful of what we wish for. \nJulie Ryder \nImage 1;\nTitle: Me\, Here\, and You\, There\,\nYear: 2011\nMedium: Wood\, rose petals\, thorns\, hemp\, silk threads dyed with plants from Murray’s cottage\nPhoto Credit: Rob Little\n\nImage 2;\nTitle: All my days follow all your nights – all your yesterdays are all my tomorrows\, (DETAIL)\nYear: 2011\nMedium: Textiles and threads dyed with plants from Murray’s Cottage\nPhoto Credit: Rob Little \nImage 3 and 4\nTitle: Hill End Conversations 2  and also DETAIL\nYear: 2010\nMedium: Rose thorns on paper\, archival glue\nPhoto Credit: Mark Kelly Images \nImage 5\nTitle: Wishbone\nYear: 2010\nMedium: Watercolour on paper\nPhoto Credit: Mark Kelly Images
URL:https://barometer.net.au/exhibitions/companion-planting/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Me-Here-You-There.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20110908
DTEND;VALUE=DATE:20110927
DTSTAMP:20241111T024118Z
CREATED:20161104T002150Z
LAST-MODIFIED:20241111T024118Z
UID:1184-1315476000-1317031199@barometer.net.au
SUMMARY:New Landscapes: the Warburton River - Lake Eyre\, 2011
DESCRIPTION:Catherine Rogers is a Sydney based artist whose photographic practice is based around the landscape – particularly the Australian landscape. This new work shows some preliminary images from a recent trip to Lake Eyre (and beyond) this winter. The larger project includes images and drawings from the Kimberlies\, and from over 8\,000kms of travel by road\, to and from the far north. \nThese new landscapes include images taken from a boat on the Warburton River\, aerial views of the rivers (Warburton\, Kallakoopah) flowing into the north-east corner of Lake Eyre and images taken while on foot in the area of Kalamurina Station (an Australian Wildlife Conservancy property\, see www.australianwildlife.org) which is located on the north-east corner of Lake Eyre\, in the north-east of South Australia. The last two years\, 2010-2011\, have seen a great deal of rain fall in the Lake Eyre area\, as well as across the outback of Australia. As a result the lakes and rivers of South Australia’s dry\, flat centre are teeming with birds\, wildlife and vegetation. It’s an extraordinary place to be. \nAll prints are hand-made – that is\, each image is worked on from camera to final print and also printed – by Catherine Rogers.  Pigment ink on Innova smooth cotton paper\, dimensions variable.  Limited edition sets available (editions of 5). \nFor further information\, please contact the artist at crogers@catherinerogers.com.au or view www.catherinerogers.com.au
URL:https://barometer.net.au/exhibitions/new-landscapes-the-warburton-river-lake-eyre-2011/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Warburton-River-to-Lake-Eyre-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20110824
DTEND;VALUE=DATE:20110907
DTSTAMP:20241111T024118Z
CREATED:20161103T235840Z
LAST-MODIFIED:20241111T024118Z
UID:1176-1314180000-1315303199@barometer.net.au
SUMMARY:Oxford Street Profile (OSP)
DESCRIPTION:Oxford Street Profile (OSP) is a visual narrative of a Sydney street by photographer Philip Quirk. \n \n \nHow do we relate to the streets we are most familiar with? I believe people use the street for their specific needs\, whether it is for business\, pleasure\, shopping or traversing the suburbs. They become familiar with the street and presume it will remain the same\, but change is inevitable and ongoing. OSP argues that the more we use our streets\, the less we see them as they are. \nIn 2009 I set out to photograph every building on both sides of Oxford Street from Queen Street\, Woollahra to Taylor Square\, Darlinghurst. The purpose of this documentation is to observe Oxford Street from street level\, to note the transient human interaction on the street\, and to record the street as it is in the early years of the 21st century. \n \n \nOSP is about a Sydney street today\, which will be relevant to future generations considering the built environment and the evolving nature of streets like Oxford Street. OSP links the fundamental structures of the street\, defining their spatial relationships in a typology and is a functional example of a place in time. \nPhilip Quirk is completing a Masters by Research degree at COFA UNSW. He is the author of four books including Wildlight-Images of Australia and Farm-Life on the Land\, Reed Books. Public Gallery Collections include: Australian National Gallery Canberra\, Art Gallery of NSW\, Parliament House Gallery Canberra\, National Library of Australia Canberra\, South Australian Art Gallery\, Queensland Art Gallery\, Tasmania Museum and Art Gallery\, Albury Regional Art Gallery\, Artbank\, Horsham Regional Art Gallery and Monash Gallery of Art Melbourne.
URL:https://barometer.net.au/exhibitions/oxford-street-profile-osp/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/1-Book-OSP-Barometer-Web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20110816
DTEND;VALUE=DATE:20110823
DTSTAMP:20241111T024118Z
CREATED:20161103T174150Z
LAST-MODIFIED:20241111T024118Z
UID:1169-1313488800-1314007199@barometer.net.au
SUMMARY:The William John Woodhouse Rephotography Project
DESCRIPTION:The William John Woodhouse Rephotography Project  (WJWRP) is the product of four years of research undertaken for the degree of Doctor of Philosophy in Visual Arts through Sydney College of the Arts\, The University of Sydney. This project was made possible through a collaboration with The Nicholson Museum\, University of Sydney\, whose collection  the William John Woodhouse Photographic archive is held. The WJWRP used the process of rephotography to revisit over 145 sites originally photographed by William John Woodhouse in Greece from c.1889-1936.  The exhibition presents a series of large digital prints and seven folios of photographs taken by Rowan Conroy in mainland Greece from December  2009 – September 2010. The new photographs by Conroy and the old by Woodhouse\, are displayed side by side\, inviting the viewer to compare the changes and or continuity of the objects and buildings in the landscape. \nRowan Conroy (b. 1982 Coffs Harbour) is a Sydney based artist whose practice focuses on the use of photography and large format digital printing to present visions of the contemporary landscape and its detritus. Conroy’s photographs document the archaeology of the present\, the collision of the deep past with the recent past. This has been explored through projects such as Puratha: the sad place  (Sydney College of the Arts\, 2007; Coffs Harbour Regional Gallery\, 2008) which surveyed the landscape of the Burrup Peninsular and the threatened rock art of the region. Similarly Lebanon: Photography\, Antiquity and Ruin (Nicholson Museum\, 2006) collected visions of modern lebanon and its antique past.   Conroy’s work is in the collections of the Australia Council for the Arts\, The University of Wollongong Permanent Collection\, Delmar Gallery Trinity Grammar School\, and numerous private collections. \nSee: www.rowanconroy.com
URL:https://barometer.net.au/exhibitions/the-william-john-woodhouse-rephotography-project/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/RMC2010.55.7.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20110730
DTEND;VALUE=DATE:20110816
DTSTAMP:20241111T024118Z
CREATED:20161103T173318Z
LAST-MODIFIED:20241111T024118Z
UID:1163-1312020000-1313402399@barometer.net.au
SUMMARY:Nets
DESCRIPTION:‘NETS’ \nAn exhibition of works by Australian artists responding to the theme of nets. \nThe exhibits show the Australian component of ‘NETS’ – a global project across the textile departments of three universities: University of Cumbria (UK)\, Novia University of Applied Sciences (Finland)\, Australia National University\, Canberra (Australia).  The project aims to develop contemporary textiles practise and build connections between textile communities and departments within higher education. It explores new collaborative forms of education\, mentoring\, training and mutual support through textile practice. The theme came about through networking between the universities and it allows students and artists to explore nets\, netting\, networks and netted objects and associations in the widest\, freest\, individual interpretations. \nTextile based production\, the mother of both technology and modern design\, is one of the oldest industries in the world\, but also one of the most adventurous and forward thinking. The textile industry has always provided a platform for blending tradition with new technology\, developing new materials\, ways of working and forms.\n‘NETS’ is a joint global venture which aims to explore current issues through textile practice and to raise the profile of textiles education internationally. ‘NETS’ focuses on creativity\, imagination and collaboration. By nurturing a functioning network between different textile communities and institutions\, we can celebrate the diversity of artistic power\, dynamics and optimism of textile practice. \nThe ultimate aim of ‘NETS’ is to promote and develop textile artists and education and to equip artists and graduates with up-to-date skills to meet challenges\, network internationally and seize new career opportunities. To achieve this goal\, workshops were organised with artists from the community and students to work on the theme\, learn techniques and explore ideas.
URL:https://barometer.net.au/exhibitions/nets/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Barbara-Jackson-1.jpg
END:VEVENT
END:VCALENDAR