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DTSTART:20110402T160000
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20140326
DTEND;VALUE=DATE:20140401
DTSTAMP:20241111T024118Z
CREATED:20161116T011126Z
LAST-MODIFIED:20241111T024118Z
UID:1470-1395831600-1396263599@barometer.net.au
SUMMARY:Natura
DESCRIPTION:Vivien Haley invites you into her visual world of nature and landscape; a place of creation\, inspiration\, refined colour and beauty. Here\, she combines her history as an exhibiting artist and textile designer in a distinctive and elegant aesthetic\, rendered as digitally printed silk crepe de chine scarves. \n“In a world where the natural environment is being challenged and more people live in cities than ever before\, contact with the natural world brings a sense of place and beauty to our busy lives\,” says Vivien Haley. \nSERIES 1 by Vivien Haley is a collage of her distinctive techniques\, incorporating her abstract plant and rock designs. It’s an imaginative evolution\, from Vivien’s organic approach to a striking end result of layered textures and form. The series combines tone and colour to eye catching effect\, whether worn as a scarf or decorating your home. The seven scarf designs are large and versatile\, balanced constructions exhibiting the depth that Vivien’s work is known for.
URL:https://barometer.net.au/exhibitions/natura/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Seven-Fishes-1000.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20140219
DTEND;VALUE=DATE:20140324
DTSTAMP:20241111T024118Z
CREATED:20161116T010321Z
LAST-MODIFIED:20241111T024118Z
UID:1462-1392807600-1395572399@barometer.net.au
SUMMARY:TARKINE
DESCRIPTION:Catherine Rogers shows new photographs from the Tarkine region of north-west Tasmania. Photographs of another landscape marked for destruction. \nThe Tarkine is Australia’s largest remaining tract of cool temperate rainforest – it is also one of the very few unprotected wild places left. The Tarkine landscape comprises wild coastal areas and button grass plains\, pristine rivers and ancient rainforests. The magnificent myrtle forests of the Tarkine are under attack – not from logging this time – but from open cut mining. Exploration has already started in the forests and hundreds of test shafts driven deep into the hillsides. Ten open cut strip mines are proposed\, and 56 more exploration licenses have been granted. The Tarkine will be effectively destroyed should even a fraction of these hugely destructive mining proposals go ahead.
URL:https://barometer.net.au/exhibitions/tarkine/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Secret-creek-Tarkine-forests-Tasmania_CRogers.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20131218
DTEND;VALUE=DATE:20140217
DTSTAMP:20241111T024118Z
CREATED:20161116T005644Z
LAST-MODIFIED:20241111T024118Z
UID:1454-1387364400-1392548399@barometer.net.au
SUMMARY:Black & White (almost)
DESCRIPTION:Selected works on paper and  textiles by Catherine Rogers\, Julie Ryder and Barbara Rogers.
URL:https://barometer.net.au/exhibitions/black-white-almost/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Castle-in-Denmark-2008-CRogers.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20131205
DTEND;VALUE=DATE:20131217
DTSTAMP:20241111T024118Z
CREATED:20161116T004936Z
LAST-MODIFIED:20241111T024118Z
UID:1447-1386241200-1387191599@barometer.net.au
SUMMARY:Annual Indian Christmas Bazaar
DESCRIPTION:Walter G is back from the deserts of Rajasthan with trunkfuls of colourful vintage textiles and treasures to showcase at their Annual Indian Christmas Bazaar. From hand mud printed indigo cushions and napkins to tribal camel tassels and antqiue lassi cups\, this Aladdin’s cave will be full of exotic Christmas curios.
URL:https://barometer.net.au/exhibitions/annual-indian-christmas-bazaar/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Walter-G_1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20131113
DTEND;VALUE=DATE:20131203
DTSTAMP:20241111T024118Z
CREATED:20161116T004004Z
LAST-MODIFIED:20241111T024118Z
UID:1438-1384340400-1385981999@barometer.net.au
SUMMARY:Grove
DESCRIPTION:Opening hours: Tuesday to Sunday 10am to 6pm\nPh: 0412 154 709 \nThe olive groves of southern Italy are some of the oldest on earth. Some are so ancient – planted in the Dark Ages and nurtured by around 40 generations – they are actually listed by UNESCO as cultural treasures. \nThese groves\, photographed in Puglia in the heel of the boot of Italy\, are presented as triptychs\, symbolic of the potential harmony on offer when humankind works together with nature. The artist\, Jane Burton Taylor\, is nearing completion of her Masters of Art at the College of Fine Arts (majoring in Sculpture). She took three years to photograph the groves\, visiting them in each of the four season to witness their different stages: including their annual pruning and harvesting\, the latter when nets are thrown on the ground and the trees are shaken to catch their ripe olives. \nThe thirteen works\, presented in a linear collection that can be read as a whole\, represent  a man-made landscape; nature and human beings having both produced the spaces together. In a sense they are architectural spaces. \nThey also have overtones of mythological and religious narratives. “There is a hint of the potential paradise on offer if we work with the natural world\, and equally\, with the potential loss of natural systems that nurture and support us\, if we don’t\,” the artist says. \nIndividually\, that is within each triptych\, the photos present different perspectives\, but are put together as if continuous\, so giving the viewer a slightly unreal sense of place. They are like a memory\, which recalls a place\, but is never exactly as it is in reality. Arguably the groves become more evocative\, more epic\, even than the real thing\, as so many places\, people or ideals humans hold dear seem to become\, in imagination\, larger than life. \nThe photographs were shot on film\, using a 50 year old Hasselblad medium format camera. They are sold in limited edition prints.  \nJane Burton Taylor
URL:https://barometer.net.au/exhibitions/grove/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Image-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20131101
DTEND;VALUE=DATE:20131112
DTSTAMP:20241111T024118Z
CREATED:20161115T235848Z
LAST-MODIFIED:20241111T024118Z
UID:1428-1383303600-1384167599@barometer.net.au
SUMMARY:Landscapes\, Ladies and Literature
DESCRIPTION:Kate completed artist-in-residence programs in the historic gold mining town of Hill End\, NSW and Halifax\, Nova Scotia in 2013. \nLandscapes Ladies & Literature is the result of Ward’s experiences where she explored the subtle relationships of domestic interiors as the women’s domain within particular reference to pioneering history of the two countries.\nHer work focuses on the complex interactions within these spaces and our perceptions of the people who live in them.  Inspired by writings by pioneer women in both countries\, Ward represents everyday objects that are imbued with meaning which hint at their domestic life. \nFor more information please visit kateward.com.au or facebook.com/katewarddesigns
URL:https://barometer.net.au/exhibitions/landscapes-ladies-and-literature/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/6-Nature-vs-Nurture_2013.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20131002
DTEND;VALUE=DATE:20131022
DTSTAMP:20241111T024118Z
CREATED:20161115T200745Z
LAST-MODIFIED:20241111T024118Z
UID:1421-1380708000-1382353199@barometer.net.au
SUMMARY:WRAPPED IN SHIBORI
DESCRIPTION:Open Wednesday – Saturday 11am to 5pm \nTextile artists work in the Japanese technique of shaped resist dyeing to create unique\, individual scarves. \nA group scarf show from the members of the World Shibori Network Australia/New Zealand. \nShibori is an ancient Japanese hand-dyeing technique. It is the technique of twisting\, tying\, stitching and clamping of fabrics to achieve pattern through dyeing.
URL:https://barometer.net.au/exhibitions/wrapped-in-shibori/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Camoon0312_244-2Phillipa-blackgreen-shawl.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20130907
DTEND;VALUE=DATE:20130924
DTSTAMP:20241111T024118Z
CREATED:20161115T194453Z
LAST-MODIFIED:20241111T024118Z
UID:1417-1378548000-1379930399@barometer.net.au
SUMMARY:Stitched Dialogue
DESCRIPTION:Stitched dialogue is an exhibition of textiles from artists Trudy Billingsley and Alison Muir that presents the viewer with a series of resonating ideas that communicate a at many levels about relationships and the environment.
URL:https://barometer.net.au/exhibitions/stitched-dialogue/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Trudy-and-Alison-Exhibition-Invite.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20130822
DTEND;VALUE=DATE:20130907
DTSTAMP:20241111T024118Z
CREATED:20161115T190925Z
LAST-MODIFIED:20241111T024118Z
UID:1409-1377165600-1378461599@barometer.net.au
SUMMARY:EARTH/scale
DESCRIPTION:Opening 24th August at 3pm \nDigital photographs by Philip Bell  from North-West America and South-East Australia\, contrasting natural scale and form\, permanence and change. \nImage 1: Channel Country V – digital photograph\, cotton paper\, 40×30 cms. \nImage 2: Michelle Lakes I – digital photograph\, cotton paper\, 70×53 cms. \nImage 3: Icefield cliff Alberta II – digital photograph\, cotton paper\, 40×55 cms. \nImage 4: Stone/flowers/lichen III – digital photograph\, cotton paper\, 26×30.5 cms.
URL:https://barometer.net.au/exhibitions/earthscale/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Channel-ctry-V-40x30-cm-..jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20130803
DTEND;VALUE=DATE:20130820
DTSTAMP:20241111T024118Z
CREATED:20161115T190045Z
LAST-MODIFIED:20241111T024118Z
UID:1404-1375524000-1376906399@barometer.net.au
SUMMARY:Expanding the Web
DESCRIPTION:Prev\n			1of2\n			Next\n		\n	\n\n\nExpanding the Web \nBy Jude Skeers \nIn ‘Expanding the Web’ visual artist Jude Skeers investigates the construction\, deconstruction and reconstruction of the web form. His original innovative web was designed and constructed over 25 years ago. The simplicity of the design has allowed for webs to be installed in internal and external spaces\, utilizing available structures. In this exhibition the artistry of the web is defined by the available space and by Jude’s decision to use only black yarn. Several of the webs are knitted with black sequins embellishing the black yarn. \n‘Expanding the Web’ will have a number of structures pre-assembled and installed in the gallery space. During the three weeks of the exhibition more webs will be created and added\, building on the design concept. Members of the public will be able to make their own personal web. Giving away the design celebrates the creative expansion of the web. Teaching people to make a web allows them to teach it to more people and makes the web a living\, growing thing. Going further and further\, the creative idea that once started continues on. \nJude himself says\, “Natural webs are all around the environment and yet I have dared to create an artificial one\, it looks like a web\, though it’s not exactly something a spider would make\, but it’s hanging from a tree just as a night spider might have made it. I love the way they change\, with the shadows in the morning and afternoon light. There’s that feeling of naturalness about them and yet a sense of artificiality is there as well.” \nThe beauty and simplicity of the web design is that it is first constructed as a small piece of knitted fabric. It is then deconstructed by dropping and removing most of the stitches. What remains is a loosely bound continuous length of yarn or string\, which is installed to reveal a perfectly formed symmetrical web. The web design can also be modified to form a spiral. Webs have been installed in parks and gardens throughout Australia\, including Townsville\, Mittagong\, Launceston and Bunbury\, The largest\, 5 metres in diameter\, was installed along the Ross River\, Townsville\, in 2001. The flexible design has allowed for webs as small as 25cm in diameter to be created. These tiny webs are attached to acrylic sheeting\, allowing them to be hung in different locations. \nA collaboration with Bamboo artist Peter Wojciechowski has produced three dimensional structures which have become an integral part of Jude’s installations. In this exhibition he used painted black dowel to form the simple triangle shape structures and placed a web inside. This then becomes the template for the construction of a triangular or hexagonal pyramid. \nExpanding the Web will be at Barometer Gallery\, 13 Gurner Street Paddington NSW from August 3rd to 18th. Knit your own web workshops are available by appointment; contact Jude via email: judeskeers@hotmail.com
URL:https://barometer.net.au/exhibitions/expanding-the-web/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Jude-Skeers-Single-web.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20130626
DTEND;VALUE=DATE:20130730
DTSTAMP:20241111T024118Z
CREATED:20161115T185409Z
LAST-MODIFIED:20241111T024118Z
UID:1401-1372240800-1375091999@barometer.net.au
SUMMARY:Shibori on Paper
DESCRIPTION:Shibori textiles as digital imagery by Barbara Rogers and Catherine Rogers Shibori textiles by Barbara Rogers. Photography by Catherine Rogers
URL:https://barometer.net.au/exhibitions/shibori-on-paper/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/BAR-Shibori-Parallels.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20130522
DTEND;VALUE=DATE:20130625
DTSTAMP:20241111T024118Z
CREATED:20161115T184158Z
LAST-MODIFIED:20241111T024118Z
UID:1397-1369216800-1372067999@barometer.net.au
SUMMARY:Rowan Conroy\, Paul Ogier\, Catherine Rogers
DESCRIPTION:Photographs by Rowan Conroy\, Paul Ogier and Catherine Rogers
URL:https://barometer.net.au/exhibitions/rowan-conroy-paul-ogier-catherine-rogers/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/HUGE-SKY_CHRogersW.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20130509
DTEND;VALUE=DATE:20130520
DTSTAMP:20241111T024118Z
CREATED:20161115T183214Z
LAST-MODIFIED:20241111T024118Z
UID:1393-1368093600-1368957599@barometer.net.au
SUMMARY:Illawarra
DESCRIPTION:Prev\n			1of2\n			Next\n		\n	\n\n\nAn exhibition of photographs by Kurt Sorensen and Koji Makino that draws inspiration from the Illawarra region. Makino documents the community of Japanese-Australian surfers living in the Illawarra using portrait and landscape photography while Sorensen uses diary entries from a survivor of the 18th century shipwreck ‘Sydney Cove’ as inspiration for his wet plate collodion land and seascapes.
URL:https://barometer.net.au/exhibitions/illawarra/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Koji-Makino-installation-ideas-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20130417
DTEND;VALUE=DATE:20130507
DTSTAMP:20241111T024118Z
CREATED:20161115T181030Z
LAST-MODIFIED:20241111T024118Z
UID:1387-1366192800-1367834399@barometer.net.au
SUMMARY:Fold Unfold
DESCRIPTION:Prev\n			1of2\n			Next\n		\n	\n\n\nBarbara Rogers works with the Shibori technique itajime. Shibori is a Japanese term for a variety of methods for dyeing cloth by binding\, stitching\, folding\, twisting or compressing. There are many ways one can bind\, stitch\, fold\, twist or compress cloth for Shibori\, and each way results in very different patterns. Each method is used to achieve a certain result\, and each method is used to work in harmony with the type of cloth. The technique used in Shibori depends not only on the desired pattern\, but also the cloth being dyed. Different techniques can be used with one another to achieve more elaborate results.
URL:https://barometer.net.au/exhibitions/fold-unfold/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/FOLD-UNFOLD-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20130327
DTEND;VALUE=DATE:20130412
DTSTAMP:20241111T024118Z
CREATED:20161115T180041Z
LAST-MODIFIED:20241111T024118Z
UID:1379-1364382000-1365674399@barometer.net.au
SUMMARY:RESISTING THE BLUES
DESCRIPTION:Jane Callender studied textiles at the University of the Creative Arts\, Farnham gaining a BA (hons) degree in 1977.  It was here that she was introduced to both indigo dyeing and shibori and she has been fascinated by this combination ever since. Her work reveals a passion for pattern manifest through shibori techniques\, and as a stitch specialist her focus has been on motif construction and pattern rhythms. The method requires pulling up and tying off hand stitched threads and selected works can be dipped in the indigo vat as many as 20 times. She draws on tradition\, the natural world and geometry; she may choose a fabric for its distinct surface appeal while other textile techniques and dyes are frequently introduced to plainer cloth. Collectively these result in her innovative and unique shibori textiles which have been widely exhibited internationally. \n2000 Pattern Combinations\, A step by step guide to creating pattern by Jane Callender is published by Anova\, Batsford\, and co-published in Japan by Bunka Shuppan in Japanese translation.
URL:https://barometer.net.au/exhibitions/resisting-the-blues/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/1-SPIN_Jane-Callender.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20130311
DTEND;VALUE=DATE:20130326
DTSTAMP:20241111T024118Z
CREATED:20161115T175150Z
LAST-MODIFIED:20241111T024118Z
UID:1370-1362999600-1364209199@barometer.net.au
SUMMARY:ESSENCE OF PLACE
DESCRIPTION:Essence of Place – An exhibition of tapestries by Shunyam Smith \nTapestry as a medium has traditionally been used both to tell stories\, personal and historical\, full of allusion and metaphor. It requires a deeper reading to uncover the hidden layers of meanings and memories that are entwined with the physical materials and slow nature of the weaving. \nStories of places and objects are created by time as well as their physicality\, and to begin to understand the essence of a place one must absorb these slowly\, over time. Some of these tapestries tell more obvious stories\, but always shaped by the intangible boundaries between land\, humankind\, and the influences of place. For decades now\, watching the changing process of the land where I live has allowed me to ‘read’ and absorb these stories and memories stored in trees\, rocks\, lakes\, rivers\, forests and mountains. Our human memories are traced in objects all around us. Nature has written her history everywhere if we choose to look slowly and deeply. \nAt the heart of my work is this interrelation of stories and the material\, their mutual intrication a metaphor for the weaving process\, revealing the richness and complexity of the essence of place.
URL:https://barometer.net.au/exhibitions/essence-of-place/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/1-Wood.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20130130
DTEND;VALUE=DATE:20130305
DTSTAMP:20241111T024118Z
CREATED:20161115T174134Z
LAST-MODIFIED:20241111T024118Z
UID:1366-1359543600-1362394799@barometer.net.au
SUMMARY:Seven Seas
DESCRIPTION:Catherine Rogers shows selected photographs from a new series about the horizon – the sea and the sky. The images displayed are part of a larger series and are working prints\, scaled down for exhibition purposes. The photographs are both constructed and ‘straight’ photographic images of the sea and the sky. \nAll images printed by the photographer on cotton rag paper with pigment ink.
URL:https://barometer.net.au/exhibitions/seven-seas/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Long-sea-and-sky-yellow.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20121128
DTEND;VALUE=DATE:20131122
DTSTAMP:20241111T024118Z
CREATED:20161115T173402Z
LAST-MODIFIED:20241111T024118Z
UID:1359-1354100400-1385031599@barometer.net.au
SUMMARY:RED
DESCRIPTION:Group show featuring the colour red
URL:https://barometer.net.au/exhibitions/red/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/pOSTER-1_F8.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20121115
DTEND;VALUE=DATE:20121123
DTSTAMP:20241111T024118Z
CREATED:20161115T172956Z
LAST-MODIFIED:20241111T024118Z
UID:1350-1352977200-1353581999@barometer.net.au
SUMMARY:An Indian Summer
DESCRIPTION:Sydney based textile duo\, Walter G\, will be showcasing their Summer range of hand printed and naturally dyed textiles\, vintage turbans and bespoke lighting. \nWalter G’s new range “An Indian Summer” celebrates colour and pattern with a festive array of textiles\, lamps and ottomans. Raja pink and marigold turban shades sit atop antique tea urns and weathered Indian army water flasks\, as soothing hues of mud printed canvas wrap tightly around wooden stools and fluffy cushions. All fabrics are hand block printed and riddled with marvellous imperfections that tell tales of many Indian Summers past!
URL:https://barometer.net.au/exhibitions/an-indian-summer/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Genie-turban-lamp.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20121024
DTEND;VALUE=DATE:20121113
DTSTAMP:20241111T024118Z
CREATED:20161115T170346Z
LAST-MODIFIED:20241111T024118Z
UID:1343-1351076400-1352717999@barometer.net.au
SUMMARY:SECOND NATURE
DESCRIPTION:Working with natural dyes and fabrics Julie Ryder explores the boundaries and tensions between nature and culture\, and the space between. \nCanberra-based textile artist Julie Ryder combines the arts practice of printmaking with the impact of chemical reaction and transformation. Ryder’s early science training and study working in a veterinary research lab\, have translated into her science-based arts practice; her early scientific research and investigation led her to an ongoing fascination with the micro and the macro in nature. She uses bacteria\, moulds\, the chemical reaction that occurs between vegetable matter\, natural fibres and various minerals used for mordants to create her naturally-dyed textiles and embroideries.
URL:https://barometer.net.au/exhibitions/second-nature/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/SecondNature1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20121003
DTEND;VALUE=DATE:20121023
DTSTAMP:20241111T024118Z
CREATED:20161115T163718Z
LAST-MODIFIED:20241111T024118Z
UID:1336-1349258400-1350903599@barometer.net.au
SUMMARY:Lines of Communication
DESCRIPTION:A collection of art works and postcards – by Janet Parker-Smith\, Elizabeth Pozega and Karen Ball \nJanuary 2012 saw three Sydney printmakers in residence at the Moore Building Fremantle. Each day they made their way by bicycle or bus to Finnerty Street and the Fremantle Art Centre. There they made and exchanged postcards. On their return to Sydney\, they continued this exercise accumulating over 100 postcards – a collection of thoughts\, memories and observations. Unlike emails or text messages\, nothing has been discarded. \nThey are an expression of friendship and shared concerns – the intricate lives of women and the human need for communication.
URL:https://barometer.net.au/exhibitions/lines-of-communication/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/LOC-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120822
DTEND;VALUE=DATE:20121002
DTSTAMP:20241111T024118Z
CREATED:20161115T162955Z
LAST-MODIFIED:20241111T024118Z
UID:1328-1345629600-1349085599@barometer.net.au
SUMMARY:Two Perspectives
DESCRIPTION:Photographers Ginette Vachon and Catherine Rogers exhibit new photographs from a very remote part of the Kimberley Ranges. Wild and spectacular\, full of wildlife\, water and beautiful plants\, Artesian Range is in the north west corner of the Kimberley.
URL:https://barometer.net.au/exhibitions/two-perspectives/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/C-Rogers-Artesian-range-Rocks.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120725
DTEND;VALUE=DATE:20120821
DTSTAMP:20241111T024118Z
CREATED:20161115T161410Z
LAST-MODIFIED:20241111T024118Z
UID:1322-1343210400-1345456799@barometer.net.au
SUMMARY:Wrap
DESCRIPTION:Hand dyed scarves and shawls by Barbara Rogers \n“Scarves are works of art in their own right” \nThis exhibition of scarves and shawls demonstrates the extent to which the traditional craft of Shibori adapts to contemporary design. \nShibori is a traditional Japanese resist-dye technique of textile patterning. The variety of amazing colours\, patterns and textures are made by binding\, stitching\, folding\, twisting and compressing cloth before the textiles are dyed. The tradition still lives today. \nBarbara Rogers has over 20 years experience in textile design and fashion and has developed her own methods of dyeing from traditional Japanese techniques. Using this accumulated knowledge together with experimental freedom\, Rogers pushes the possibilities of Shibori to its creative limit\, building layers of colour and pattern to produce highly complex fabrics. Each piece is unique and instantly recognisable as the Rogers label.
URL:https://barometer.net.au/exhibitions/wrap/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/scarf.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120704
DTEND;VALUE=DATE:20120723
DTSTAMP:20241111T024118Z
CREATED:20161115T150429Z
LAST-MODIFIED:20241111T024118Z
UID:1315-1341396000-1342951199@barometer.net.au
SUMMARY:The Ocean
DESCRIPTION:Ginette Vachon presents photographs of oceans from around the world. \nExpressing the ocean in words or images is a challenging venture. \nWe get glimpses of its beauty\, variety\, moods and chaos while sailing or simply spending time on a shore. At sea\, the ocean can be an awesome palette of colors\, and moving shapes. Raging tidal waves\, scattered ice\, floating trash\, and more\, cover or agitate its surface. \nOur life and that of the whole planet depends on the ocean. Hence\, my interest in picturing that overwhelming seascape\, and my desire to create a further awareness and respect for its beauty and fragility\, and to encourage its preservation. \n© 2012 Ginette Vachon
URL:https://barometer.net.au/exhibitions/the-ocean/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Ar-Eqip-Sermia-ice-from-the-Glacier-Disko-Bay-North-Atlantic-Greenland-Ginette-Vachon-2011.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120626
DTEND;VALUE=DATE:20120703
DTSTAMP:20241111T024118Z
CREATED:20161115T143916Z
LAST-MODIFIED:20241111T024118Z
UID:1308-1340704800-1341223199@barometer.net.au
SUMMARY:WALTER G. pop-up shop
DESCRIPTION:Opening Thursday 28th June 6.30 – 8.30pm \nFresh on the Sydney design scene\, Walter G. will be showcasing their range of hand printed and naturally dyed textiles\, cushions and bespoke lighting. \n 
URL:https://barometer.net.au/exhibitions/walter-g-pop-up-shop/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Walter_G-108.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120615
DTEND;VALUE=DATE:20120625
DTSTAMP:20241111T024118Z
CREATED:20161115T141730Z
LAST-MODIFIED:20241111T024118Z
UID:1299-1339754400-1340531999@barometer.net.au
SUMMARY:Special Pieces
DESCRIPTION:Sally Campbell’s new collection features handmade indigo shibori quilts and cushions. \nAlso included in the SPECIAL PIECES exhibition are the finest handwoven pashmina scarves and stoles\, cashmere blankets\, silk embroidery and vintage textiles. \nOpening 14 June 5.30 – 7.30pm
URL:https://barometer.net.au/exhibitions/special-pieces/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/SALLY-CAMPBELL-BAROMETER-IMAGE.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120523
DTEND;VALUE=DATE:20120611
DTSTAMP:20241111T024118Z
CREATED:20161115T135411Z
LAST-MODIFIED:20241111T024118Z
UID:1291-1337767200-1339322399@barometer.net.au
SUMMARY:FibreFour
DESCRIPTION:Textile practitioners Liz Gemmell\, Beth Hatton\, Irene Manion and Barbara Rogers explore environmental issues\, abstraction through geometric pattern and innovative garment design. \nLiz Gemmell’s ongoing passion is to search out and refine garment designs that have a geometric simplicity. She started with knitting and then moved to felting\, using nuno\, lace and 3D techniques. Knitting enables her to shape a garment while simultaneously exploring surface design\, and felting allows her to make the garment reversible in colour and texture\, and to use soluble stabilizer and machine embroidery. Recently\, she has been felting and shaping hand knits\, and recycling commercially produced knitwear into new works. Gemmell has taught knitting design for over 20 years and currently lectures part-time in textiles and dyeing at the University of Technology\, Sydney.   She has exhibited throughout NSW and is an exhibiting member of The Society of Arts and Crafts of NSW. \nBeth Hatton’s work focuses on the impact of settlement on the Australian environment. In a series of rugs woven with kangaroo skin offcuts and wool\, she explores the effects of colonisation on native mammals\, while her sculptures stitched from plant materials comment on the various tools of settlement.  After discovering the achievements of landholders\, who are restoring the health of their farms through holistic land management\, she began stitching a series of celebratory vessels from native grasses. Hatton has exhibited across Australia and overseas – Japan\, Germany\, USA\, received numerous awards including two Australia Council grants (1996\, 2000) and is represented in major public collections including the National Gallery of Australia. \nIrene Manion explores a range of personal and environmental issues in her textile works\, which she has exhibited since the early 1980s.  Her original training was in Fine Arts at Sydney University and for many years she has taught art in high schools.  She works in a variety of media\, including dye-sublimation onto synthetic fabrics\, and has devised her own machine stitching techniques. She often develops her designs from her own digital photographs which she adapts using Adobe Illustrator and Photoshop.  She has participated in many exhibitions in Australia and overseas -South East Asia\, New Zealand and most recently\, the Cornell Lab of Ornithology in Ithaca\, New York\, USA. \nBarbara Rogers has worked with shibori since the late 1980s.  After training and working in Fashion Design in Sydney\, she attended many shibori workshops\, in Australia and overseas. Rogers constantly sketches ideas for new designs\, often inspired by her love of African and 1920s pattern. She uses simple geometric shapes to create a contrast between dyed and undyed areas of the cloth. Combining carved-board clamped-resist with traditional shibori\, Rogers discharges dyes from the fabrics\, then overdyes them in other colours to produce highly complex textiles.  Rogers has exhibited nationally and internationally\, and participated in the last six shibori symposia.  In 2005 she exhibited in ARTWEAR – Fashion and Anti-fashion at the Fine Arts Museum of San Francisco.  Her works are in numerous private and public collections.
URL:https://barometer.net.au/exhibitions/fibrefour/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/Irene-Manion-detail.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120502
DTEND;VALUE=DATE:20120521
DTSTAMP:20241111T024118Z
CREATED:20161115T134529Z
LAST-MODIFIED:20241111T024118Z
UID:1284-1335952800-1337507999@barometer.net.au
SUMMARY:Back to the Garden
DESCRIPTION:Opening hours Weds-Sat 12-6pm \nRowan Conroy\, Paul Ogier and Catherine Rogers present three diverse bodies of work which survey the role of the garden as a concept within current photographic practice.  The garden is the silent background to science\, philosophy and art. The earliest 19th century photographic experiments where tied to the study of plants. The photographic practices of Conroy\, Ogier and Rogers are concerned with the intersections of photographic technology\, landscape history\, and the physicality of the print. \n \n  \nwww.rowanconroy.com\nwww.paulogier.com\nwww.catherinerogers.com.au
URL:https://barometer.net.au/exhibitions/back-to-the-garden/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/1-Paul-Ogier-number-3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120426
DTEND;VALUE=DATE:20120501
DTSTAMP:20241111T024118Z
CREATED:20161104T015351Z
LAST-MODIFIED:20241111T024118Z
UID:1242-1335434400-1335779999@barometer.net.au
SUMMARY:Curious Maiden
DESCRIPTION:How did a story that was recorded centuries ago by two German brothers inspire Australian artist Gabrielle Mordy to immerse paper within pots of boiling eucalyptus leaves? The Handless Maiden is a relatively obscure fairy tale collected by the Brothers Grimm which tells the story of a young girl who\, when betrayed and maimed by her family\, takes off into the forest to find her own pathway in the world. This traditional German fairy tale has been a central inspiration behind the Curious Maidens exhibition\, which features artwork created entirely from plant dyed watercolour paper.
URL:https://barometer.net.au/exhibitions/curious-maiden/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/GabrielleMordy01.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20120310
DTEND;VALUE=DATE:20120417
DTSTAMP:20241111T024118Z
CREATED:20161104T014203Z
LAST-MODIFIED:20241111T024118Z
UID:1235-1331377200-1334570399@barometer.net.au
SUMMARY:Fold/Unfold
DESCRIPTION:Textiles and Leather are hand dyed in shibori technique by Barbara Rogers \nCloth may be drawn up and bound\, stitched and gathered\, pleated and bound\, folded and clamped between boards\, or wrapped around a pole then pushed along to compress the fabric into folds. When the cloth is returned to its two dimensional form after dyeing\, the design that emerges is the result of the three dimensional shape\, the type of resist\, and the amount of pressure from the thread or clamp that secured the shape during the cloth’s exposure to the dye.
URL:https://barometer.net.au/exhibitions/foldunfold/
LOCATION:Barometer\, 13 Gurner Street\, Paddington\, NSW\, 2021\, Australia
ATTACH;FMTTYPE=image/jpeg:https://barometer.net.au/wp-content/uploads/2016/11/BRogers1_1-kangaroo-skin-28cmsx39cms.jpg
END:VEVENT
END:VCALENDAR